Writing Johannesburg into Being: Rituals of Mobility and the Uneven City in Mark Gevisser, Ivan Vladislavić and Lindsay Bremner’s Writing

This article explores the role of Johannesburg in the literary imagination of three contemporary South African writers, counterposing Mark Gevisser’s memoir Dispatcher: Lost and Found in Johannesburg (2014) and Ivan Vladislavić’s semi-autobiographical work of creative non-fiction Portrait with Keys...

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Main Author: Rebekah Cumpsty
Format: Article
Language:English
Published: Ratnabali Publisher 2017-04-01
Series:Sanglap: Journal of Literary and Cultural Inquiry
Online Access:http://sanglap-journal.in/index.php/sanglap/article/view/142
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spelling doaj-5d93cb6c70a843df98582b0a36ddf1c22020-11-24T22:18:10ZengRatnabali PublisherSanglap: Journal of Literary and Cultural Inquiry2349-80642017-04-01322765140Writing Johannesburg into Being: Rituals of Mobility and the Uneven City in Mark Gevisser, Ivan Vladislavić and Lindsay Bremner’s WritingRebekah Cumpsty0University of YorkThis article explores the role of Johannesburg in the literary imagination of three contemporary South African writers, counterposing Mark Gevisser’s memoir Dispatcher: Lost and Found in Johannesburg (2014) and Ivan Vladislavić’s semi-autobiographical work of creative non-fiction Portrait with Keys (2006) with Lindsay Bremner’s collection of personal and architectural essays Writing the City into Being (2010). These white South African authors are keenly aware of their privileged position: they use the space offered by writing to make sense of their relation to Johannesburg and the access granted to them because they have the choice either to walk or to drive. I argue that this seemingly mundane choice is indicative of the continuing inequality of post-apartheid South African society, and that this is foregrounded in Bremner, Gevisser and Vladislavić’s literary writing as they use personal rituals of urban mobility to index and expose the boundaries and continuing unevenness of the city.   Keywords: Johannesburg; Urban Imaginary; Ivan Vladislavić; Mark Gevisser; Lindsay Bremnerhttp://sanglap-journal.in/index.php/sanglap/article/view/142
collection DOAJ
language English
format Article
sources DOAJ
author Rebekah Cumpsty
spellingShingle Rebekah Cumpsty
Writing Johannesburg into Being: Rituals of Mobility and the Uneven City in Mark Gevisser, Ivan Vladislavić and Lindsay Bremner’s Writing
Sanglap: Journal of Literary and Cultural Inquiry
author_facet Rebekah Cumpsty
author_sort Rebekah Cumpsty
title Writing Johannesburg into Being: Rituals of Mobility and the Uneven City in Mark Gevisser, Ivan Vladislavić and Lindsay Bremner’s Writing
title_short Writing Johannesburg into Being: Rituals of Mobility and the Uneven City in Mark Gevisser, Ivan Vladislavić and Lindsay Bremner’s Writing
title_full Writing Johannesburg into Being: Rituals of Mobility and the Uneven City in Mark Gevisser, Ivan Vladislavić and Lindsay Bremner’s Writing
title_fullStr Writing Johannesburg into Being: Rituals of Mobility and the Uneven City in Mark Gevisser, Ivan Vladislavić and Lindsay Bremner’s Writing
title_full_unstemmed Writing Johannesburg into Being: Rituals of Mobility and the Uneven City in Mark Gevisser, Ivan Vladislavić and Lindsay Bremner’s Writing
title_sort writing johannesburg into being: rituals of mobility and the uneven city in mark gevisser, ivan vladislavić and lindsay bremner’s writing
publisher Ratnabali Publisher
series Sanglap: Journal of Literary and Cultural Inquiry
issn 2349-8064
publishDate 2017-04-01
description This article explores the role of Johannesburg in the literary imagination of three contemporary South African writers, counterposing Mark Gevisser’s memoir Dispatcher: Lost and Found in Johannesburg (2014) and Ivan Vladislavić’s semi-autobiographical work of creative non-fiction Portrait with Keys (2006) with Lindsay Bremner’s collection of personal and architectural essays Writing the City into Being (2010). These white South African authors are keenly aware of their privileged position: they use the space offered by writing to make sense of their relation to Johannesburg and the access granted to them because they have the choice either to walk or to drive. I argue that this seemingly mundane choice is indicative of the continuing inequality of post-apartheid South African society, and that this is foregrounded in Bremner, Gevisser and Vladislavić’s literary writing as they use personal rituals of urban mobility to index and expose the boundaries and continuing unevenness of the city.   Keywords: Johannesburg; Urban Imaginary; Ivan Vladislavić; Mark Gevisser; Lindsay Bremner
url http://sanglap-journal.in/index.php/sanglap/article/view/142
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