Post-Soviet emptiness (Vladimir Makanin and Viktor Pelevin)

Emptiness is a key word in several post-Soviet Russian novels of the late 1990s. One can find it as well in Vladimir Makanin's “Underground” as in two novels written by Viktor Pelevin, “Generation ‘P’” and “Chapaev and Emptiness”. After the fall of Soviet power Pelevin's cynical hero from...

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Main Author: Hans Günther
Format: Article
Language:English
Published: SAGE Publishing 2013-01-01
Series:Journal of Eurasian Studies
Online Access:http://www.sciencedirect.com/science/article/pii/S187936651200019X
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spelling doaj-5d5d09ce6dca44148eac9250e1579de42020-11-25T03:15:47ZengSAGE PublishingJournal of Eurasian Studies1879-36652013-01-014110010610.1016/j.euras.2012.10.001Post-Soviet emptiness (Vladimir Makanin and Viktor Pelevin)Hans GüntherEmptiness is a key word in several post-Soviet Russian novels of the late 1990s. One can find it as well in Vladimir Makanin's “Underground” as in two novels written by Viktor Pelevin, “Generation ‘P’” and “Chapaev and Emptiness”. After the fall of Soviet power Pelevin's cynical hero from “Generation ‘P’” changes from literature into advertising business, and in his novel “Chapaev and Emptiness” the legendary Soviet Civil War hero Chapaev transforms into a preacher of quasi-Buddhist nothingness. Makanin's hero, the writer Petrovich, renounces of his profession in order to work as a watchman in shelters for the homeless. His self-abasement is in accordance with the tradition of kenoticism (derived from the Greek word kenós = empty) which played an important part in the history of Russian religious and cultural life. Criticizing the hypermoralism of classical Russian literature Makanin outlines a new image of the writer which is opposed to the Russian literary myth but still propagates moral and religious values. Pelevin's novels which reflect the relativism of postmodern poetics focus on another issue – the blurring of the difference between reality and illusion. In “Generation ‘P’”, mass media and advertising produce deceitful simulacra of reality and in “Chapaev and Emptiness” the deconstruction of Soviet mythology assumes the shape of a nightmare. Unsurprisingly, among the imagery of emptiness Malevich's famous “Black Square” including its numerous equivalents as black holes or all sorts of empty spaces is rather frequent in the three novels. Emptiness may be considered to be a characteristic trait of the atmosphere of the 1990s when Russians felt to live in a cultural vacuum somewhere between state economy and unbridled capitalism, between Soviet order and “post-slave” (Makanin) chaos.http://www.sciencedirect.com/science/article/pii/S187936651200019X
collection DOAJ
language English
format Article
sources DOAJ
author Hans Günther
spellingShingle Hans Günther
Post-Soviet emptiness (Vladimir Makanin and Viktor Pelevin)
Journal of Eurasian Studies
author_facet Hans Günther
author_sort Hans Günther
title Post-Soviet emptiness (Vladimir Makanin and Viktor Pelevin)
title_short Post-Soviet emptiness (Vladimir Makanin and Viktor Pelevin)
title_full Post-Soviet emptiness (Vladimir Makanin and Viktor Pelevin)
title_fullStr Post-Soviet emptiness (Vladimir Makanin and Viktor Pelevin)
title_full_unstemmed Post-Soviet emptiness (Vladimir Makanin and Viktor Pelevin)
title_sort post-soviet emptiness (vladimir makanin and viktor pelevin)
publisher SAGE Publishing
series Journal of Eurasian Studies
issn 1879-3665
publishDate 2013-01-01
description Emptiness is a key word in several post-Soviet Russian novels of the late 1990s. One can find it as well in Vladimir Makanin's “Underground” as in two novels written by Viktor Pelevin, “Generation ‘P’” and “Chapaev and Emptiness”. After the fall of Soviet power Pelevin's cynical hero from “Generation ‘P’” changes from literature into advertising business, and in his novel “Chapaev and Emptiness” the legendary Soviet Civil War hero Chapaev transforms into a preacher of quasi-Buddhist nothingness. Makanin's hero, the writer Petrovich, renounces of his profession in order to work as a watchman in shelters for the homeless. His self-abasement is in accordance with the tradition of kenoticism (derived from the Greek word kenós = empty) which played an important part in the history of Russian religious and cultural life. Criticizing the hypermoralism of classical Russian literature Makanin outlines a new image of the writer which is opposed to the Russian literary myth but still propagates moral and religious values. Pelevin's novels which reflect the relativism of postmodern poetics focus on another issue – the blurring of the difference between reality and illusion. In “Generation ‘P’”, mass media and advertising produce deceitful simulacra of reality and in “Chapaev and Emptiness” the deconstruction of Soviet mythology assumes the shape of a nightmare. Unsurprisingly, among the imagery of emptiness Malevich's famous “Black Square” including its numerous equivalents as black holes or all sorts of empty spaces is rather frequent in the three novels. Emptiness may be considered to be a characteristic trait of the atmosphere of the 1990s when Russians felt to live in a cultural vacuum somewhere between state economy and unbridled capitalism, between Soviet order and “post-slave” (Makanin) chaos.
url http://www.sciencedirect.com/science/article/pii/S187936651200019X
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