Radioescuchas y “música nacional” a mediados del siglo XX: el programa radial Antología Musical de Colombia
This article contextualizes and analyzes the opinions of people who listened to the radio program the Antología Musical de Colombia, as found in the letters they sent to its director, the Colombian musician Oriol Rangel. In those letters, listeners remarked on the values of the “national music” of C...
Main Author: | |
---|---|
Format: | Article |
Language: | Spanish |
Published: |
Universidad de los Andes
2018-01-01
|
Series: | Historia Crítica |
Subjects: | |
Online Access: | https://revistas.uniandes.edu.co/doi/full/10.7440/histcrit67.2018.04 |
id |
doaj-5d0b342564c649e086005fba97d348fd |
---|---|
record_format |
Article |
spelling |
doaj-5d0b342564c649e086005fba97d348fd2020-11-24T23:03:35ZspaUniversidad de los Andes Historia Crítica0121-16171900-61522018-01-0167678810.7440/histcrit67.2018.04Radioescuchas y “música nacional” a mediados del siglo XX: el programa radial Antología Musical de ColombiaHernando Andrés Pulido Londoño0Universidad de los Andes, ColombiaThis article contextualizes and analyzes the opinions of people who listened to the radio program the Antología Musical de Colombia, as found in the letters they sent to its director, the Colombian musician Oriol Rangel. In those letters, listeners remarked on the values of the “national music” of Colombia, the core of the program, which was drawn from popular genres of Andean music. The article shows the convergence of commercial radio networks, the national record industry, specialized criticism and radio audiences in the mid-20th century in Colombia. The opinions of the listeners, which are recreated on the basis of novel original sources, reveal their listening habits, aesthetic preferences and anxiety about what they regarded as the loss of “national music”.https://revistas.uniandes.edu.co/doi/full/10.7440/histcrit67.2018.04Thesaurus: popular musicradio listenersColombiaHistoryAuthor’s keywords: commercial radio broadcaststhe dissemination of culture |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Hernando Andrés Pulido Londoño |
spellingShingle |
Hernando Andrés Pulido Londoño Radioescuchas y “música nacional” a mediados del siglo XX: el programa radial Antología Musical de Colombia Historia Crítica Thesaurus: popular music radio listeners Colombia History Author’s keywords: commercial radio broadcasts the dissemination of culture |
author_facet |
Hernando Andrés Pulido Londoño |
author_sort |
Hernando Andrés Pulido Londoño |
title |
Radioescuchas y “música nacional” a mediados del siglo XX: el programa radial Antología Musical de Colombia |
title_short |
Radioescuchas y “música nacional” a mediados del siglo XX: el programa radial Antología Musical de Colombia |
title_full |
Radioescuchas y “música nacional” a mediados del siglo XX: el programa radial Antología Musical de Colombia |
title_fullStr |
Radioescuchas y “música nacional” a mediados del siglo XX: el programa radial Antología Musical de Colombia |
title_full_unstemmed |
Radioescuchas y “música nacional” a mediados del siglo XX: el programa radial Antología Musical de Colombia |
title_sort |
radioescuchas y “música nacional” a mediados del siglo xx: el programa radial antología musical de colombia |
publisher |
Universidad de los Andes |
series |
Historia Crítica |
issn |
0121-1617 1900-6152 |
publishDate |
2018-01-01 |
description |
This article contextualizes and analyzes the opinions of people who listened to the radio program the Antología Musical de Colombia, as found in the letters they sent to its director, the Colombian musician Oriol Rangel. In those letters, listeners remarked on the values of the “national music” of Colombia, the core of the program, which was drawn from popular genres of Andean music. The article shows the convergence of commercial radio networks, the national record industry, specialized criticism and radio audiences in the mid-20th century in Colombia. The opinions of the listeners, which are recreated on the basis of novel original sources, reveal their listening habits, aesthetic preferences and anxiety about what they regarded as the loss of “national music”. |
topic |
Thesaurus: popular music radio listeners Colombia History Author’s keywords: commercial radio broadcasts the dissemination of culture |
url |
https://revistas.uniandes.edu.co/doi/full/10.7440/histcrit67.2018.04 |
work_keys_str_mv |
AT hernandoandrespulidolondono radioescuchasymusicanacionalamediadosdelsigloxxelprogramaradialantologiamusicaldecolombia |
_version_ |
1725633168942301184 |