Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
The article analyses the symbolism on network visualizations with a focus on the so-called horizontal art history. It shows that this symbolism can obscure the proper application and assessment of network models. The horizontal art history is particularly prone to this because it is based on a metap...
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2021-08-01
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Online Access: | http://www.karolinum.cz/doi/10.14712/24647055.2021.10 |
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doaj-5cda6821ea6d435cad7e37566dc7bc482021-08-02T12:00:19ZcesKarolinum PressActa Universitatis Carolinae: Philosophica et Historica0567-82932464-70552021-08-012020223925110.14712/24647055.2021.1011443Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách uměníTomáš KolichThe article analyses the symbolism on network visualizations with a focus on the so-called horizontal art history. It shows that this symbolism can obscure the proper application and assessment of network models. The horizontal art history is particularly prone to this because it is based on a metaphorical juxtaposition (with Western “vertical” art history) which is similar to the juxtaposition that cocreates the network symbolism – (visual) juxtaposition of networks and hierarchies. The article demonstrates effects of this symbolism with the examples of the network diagram from the exhibition Inventing Abstraction, 1910–1925 (MOMA, New York, 2012) and the uncritical acceptance of this diagram by some proponents of the horizontal art history.http://www.karolinum.cz/doi/10.14712/24647055.2021.10network visualizationshorizontal art historypiotr piotrowskiinventing abstraction, 1910–1925alfred h. barrabstract artmetaphors in sciencevisual juxtapositions |
collection |
DOAJ |
language |
ces |
format |
Article |
sources |
DOAJ |
author |
Tomáš Kolich |
spellingShingle |
Tomáš Kolich Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění Acta Universitatis Carolinae: Philosophica et Historica network visualizations horizontal art history piotr piotrowski inventing abstraction, 1910–1925 alfred h. barr abstract art metaphors in science visual juxtapositions |
author_facet |
Tomáš Kolich |
author_sort |
Tomáš Kolich |
title |
Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění |
title_short |
Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění |
title_full |
Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění |
title_fullStr |
Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění |
title_full_unstemmed |
Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění |
title_sort |
čáry máry: čáry! nástrahy vizualizací sítí nejen v horizontálních dějinách umění |
publisher |
Karolinum Press |
series |
Acta Universitatis Carolinae: Philosophica et Historica |
issn |
0567-8293 2464-7055 |
publishDate |
2021-08-01 |
description |
The article analyses the symbolism on network visualizations with a focus on the so-called horizontal art history. It shows that this symbolism can obscure the proper application and assessment of network models. The horizontal art history is particularly prone to this because it is based on a metaphorical juxtaposition (with Western “vertical” art history) which is similar to the juxtaposition that cocreates the network symbolism – (visual) juxtaposition of networks and hierarchies. The article demonstrates effects of this symbolism with the examples of the network diagram from the exhibition Inventing Abstraction, 1910–1925 (MOMA, New York, 2012) and the uncritical acceptance of this diagram by some proponents of the horizontal art history. |
topic |
network visualizations horizontal art history piotr piotrowski inventing abstraction, 1910–1925 alfred h. barr abstract art metaphors in science visual juxtapositions |
url |
http://www.karolinum.cz/doi/10.14712/24647055.2021.10 |
work_keys_str_mv |
AT tomaskolich carymarycarynastrahyvizualizacisitinejenvhorizontalnichdejinachumeni |
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1721232856158568448 |