Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění

The article analyses the symbolism on network visualizations with a focus on the so-called horizontal art history. It shows that this symbolism can obscure the proper application and assessment of network models. The horizontal art history is particularly prone to this because it is based on a metap...

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Main Author: Tomáš Kolich
Format: Article
Language:ces
Published: Karolinum Press 2021-08-01
Series:Acta Universitatis Carolinae: Philosophica et Historica
Subjects:
Online Access:http://www.karolinum.cz/doi/10.14712/24647055.2021.10
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spelling doaj-5cda6821ea6d435cad7e37566dc7bc482021-08-02T12:00:19ZcesKarolinum PressActa Universitatis Carolinae: Philosophica et Historica0567-82932464-70552021-08-012020223925110.14712/24647055.2021.1011443Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách uměníTomáš KolichThe article analyses the symbolism on network visualizations with a focus on the so-called horizontal art history. It shows that this symbolism can obscure the proper application and assessment of network models. The horizontal art history is particularly prone to this because it is based on a metaphorical juxtaposition (with Western “vertical” art history) which is similar to the juxtaposition that cocreates the network symbolism – (visual) juxtaposition of networks and hierarchies. The article demonstrates effects of this symbolism with the examples of the network diagram from the exhibition Inventing Abstraction, 1910–1925 (MOMA, New York, 2012) and the uncritical acceptance of this diagram by some proponents of the horizontal art history.http://www.karolinum.cz/doi/10.14712/24647055.2021.10network visualizationshorizontal art historypiotr piotrowskiinventing abstraction, 1910–1925alfred h. barrabstract artmetaphors in sciencevisual juxtapositions
collection DOAJ
language ces
format Article
sources DOAJ
author Tomáš Kolich
spellingShingle Tomáš Kolich
Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
Acta Universitatis Carolinae: Philosophica et Historica
network visualizations
horizontal art history
piotr piotrowski
inventing abstraction, 1910–1925
alfred h. barr
abstract art
metaphors in science
visual juxtapositions
author_facet Tomáš Kolich
author_sort Tomáš Kolich
title Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
title_short Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
title_full Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
title_fullStr Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
title_full_unstemmed Čáry máry: čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
title_sort čáry máry: čáry! nástrahy vizualizací sítí nejen v horizontálních dějinách umění
publisher Karolinum Press
series Acta Universitatis Carolinae: Philosophica et Historica
issn 0567-8293
2464-7055
publishDate 2021-08-01
description The article analyses the symbolism on network visualizations with a focus on the so-called horizontal art history. It shows that this symbolism can obscure the proper application and assessment of network models. The horizontal art history is particularly prone to this because it is based on a metaphorical juxtaposition (with Western “vertical” art history) which is similar to the juxtaposition that cocreates the network symbolism – (visual) juxtaposition of networks and hierarchies. The article demonstrates effects of this symbolism with the examples of the network diagram from the exhibition Inventing Abstraction, 1910–1925 (MOMA, New York, 2012) and the uncritical acceptance of this diagram by some proponents of the horizontal art history.
topic network visualizations
horizontal art history
piotr piotrowski
inventing abstraction, 1910–1925
alfred h. barr
abstract art
metaphors in science
visual juxtapositions
url http://www.karolinum.cz/doi/10.14712/24647055.2021.10
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