Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.

The text raises a critical interpretation about the representation of the body in the documentary Noticias (2009) of the Chilean directors Bettina Perut and Ivan Ossnovikof. To this end, it is emphasize on the capacity of the concept of a body without organs to destroy the intellectual reflection th...

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Main Author: Vladimir Silva Oyaneder
Format: Article
Language:English
Published: University Library System, University of Pittsburgh 2018-01-01
Series:Catedral Tomada: Revista de Crítica Literaria Latinoamericana
Subjects:
Online Access:http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/272
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spelling doaj-5bf05aeb60ee4ec3ae92dd12ae50d4762021-09-02T10:48:09ZengUniversity Library System, University of PittsburghCatedral Tomada: Revista de Crítica Literaria Latinoamericana2169-08472018-01-0159678310.5195/ct/2017.272123Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.Vladimir Silva Oyaneder0IDEA-USACHThe text raises a critical interpretation about the representation of the body in the documentary Noticias (2009) of the Chilean directors Bettina Perut and Ivan Ossnovikof. To this end, it is emphasize on the capacity of the concept of a body without organs to destroy the intellectual reflection that has been universally hegemonic when it comes to appreciating a work of art. In this way, it is argued that the body in the analyzed film, aims to the de-hierarchization of the gaze in the intellectual act of appreciating cinematographic work. The body understood,then, as a sensitive organicity that inverts the reflection of body/intellect, shows the capacity of making a critique of the classic cinematic representation  and a questioning to the ideological and social configuration in which, historically, the cinema has developed its  discourse.http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/272cuerpo, representación, desjerarquización, idolología, cuerpo sin órganos, intelecto
collection DOAJ
language English
format Article
sources DOAJ
author Vladimir Silva Oyaneder
spellingShingle Vladimir Silva Oyaneder
Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.
Catedral Tomada: Revista de Crítica Literaria Latinoamericana
cuerpo, representación, desjerarquización, idolología, cuerpo sin órganos, intelecto
author_facet Vladimir Silva Oyaneder
author_sort Vladimir Silva Oyaneder
title Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.
title_short Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.
title_full Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.
title_fullStr Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.
title_full_unstemmed Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.
title_sort transcending the surface: the body as a rhetorical and ideological enunciator in the documentary noticias.
publisher University Library System, University of Pittsburgh
series Catedral Tomada: Revista de Crítica Literaria Latinoamericana
issn 2169-0847
publishDate 2018-01-01
description The text raises a critical interpretation about the representation of the body in the documentary Noticias (2009) of the Chilean directors Bettina Perut and Ivan Ossnovikof. To this end, it is emphasize on the capacity of the concept of a body without organs to destroy the intellectual reflection that has been universally hegemonic when it comes to appreciating a work of art. In this way, it is argued that the body in the analyzed film, aims to the de-hierarchization of the gaze in the intellectual act of appreciating cinematographic work. The body understood,then, as a sensitive organicity that inverts the reflection of body/intellect, shows the capacity of making a critique of the classic cinematic representation  and a questioning to the ideological and social configuration in which, historically, the cinema has developed its  discourse.
topic cuerpo, representación, desjerarquización, idolología, cuerpo sin órganos, intelecto
url http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/272
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