Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.
The text raises a critical interpretation about the representation of the body in the documentary Noticias (2009) of the Chilean directors Bettina Perut and Ivan Ossnovikof. To this end, it is emphasize on the capacity of the concept of a body without organs to destroy the intellectual reflection th...
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Series: | Catedral Tomada: Revista de Crítica Literaria Latinoamericana |
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Online Access: | http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/272 |
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doaj-5bf05aeb60ee4ec3ae92dd12ae50d4762021-09-02T10:48:09ZengUniversity Library System, University of PittsburghCatedral Tomada: Revista de Crítica Literaria Latinoamericana2169-08472018-01-0159678310.5195/ct/2017.272123Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias.Vladimir Silva Oyaneder0IDEA-USACHThe text raises a critical interpretation about the representation of the body in the documentary Noticias (2009) of the Chilean directors Bettina Perut and Ivan Ossnovikof. To this end, it is emphasize on the capacity of the concept of a body without organs to destroy the intellectual reflection that has been universally hegemonic when it comes to appreciating a work of art. In this way, it is argued that the body in the analyzed film, aims to the de-hierarchization of the gaze in the intellectual act of appreciating cinematographic work. The body understood,then, as a sensitive organicity that inverts the reflection of body/intellect, shows the capacity of making a critique of the classic cinematic representation and a questioning to the ideological and social configuration in which, historically, the cinema has developed its discourse.http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/272cuerpo, representación, desjerarquización, idolología, cuerpo sin órganos, intelecto |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Vladimir Silva Oyaneder |
spellingShingle |
Vladimir Silva Oyaneder Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias. Catedral Tomada: Revista de Crítica Literaria Latinoamericana cuerpo, representación, desjerarquización, idolología, cuerpo sin órganos, intelecto |
author_facet |
Vladimir Silva Oyaneder |
author_sort |
Vladimir Silva Oyaneder |
title |
Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias. |
title_short |
Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias. |
title_full |
Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias. |
title_fullStr |
Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias. |
title_full_unstemmed |
Transcending the Surface: The body as a Rhetorical and Ideological Enunciator in the Documentary Noticias. |
title_sort |
transcending the surface: the body as a rhetorical and ideological enunciator in the documentary noticias. |
publisher |
University Library System, University of Pittsburgh |
series |
Catedral Tomada: Revista de Crítica Literaria Latinoamericana |
issn |
2169-0847 |
publishDate |
2018-01-01 |
description |
The text raises a critical interpretation about the representation of the body in the documentary Noticias (2009) of the Chilean directors Bettina Perut and Ivan Ossnovikof. To this end, it is emphasize on the capacity of the concept of a body without organs to destroy the intellectual reflection that has been universally hegemonic when it comes to appreciating a work of art. In this way, it is argued that the body in the analyzed film, aims to the de-hierarchization of the gaze in the intellectual act of appreciating cinematographic work. The body understood,then, as a sensitive organicity that inverts the reflection of body/intellect, shows the capacity of making a critique of the classic cinematic representation and a questioning to the ideological and social configuration in which, historically, the cinema has developed its discourse. |
topic |
cuerpo, representación, desjerarquización, idolología, cuerpo sin órganos, intelecto |
url |
http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/272 |
work_keys_str_mv |
AT vladimirsilvaoyaneder transcendingthesurfacethebodyasarhetoricalandideologicalenunciatorinthedocumentarynoticias |
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1721176335448014848 |