Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation

In this article, two major paradigms within cognitive stylistics, the Conceptual Metaphor Theory (CMT) and the Conceptual Integration Theory (CIT), are applied as largely complementary approaches to discuss the scope and implicatures of the central metaphorical image of Copp’s Return to the wayes of...

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Main Author: Borgogni Daniele
Format: Article
Language:English
Published: Sciendo 2017-03-01
Series:Studia Anglica Posnaniensia
Subjects:
Online Access:https://doi.org/10.1515/stap-2017-0003
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spelling doaj-5bec598bf60145a6b2adce3d20bf99772021-09-05T14:00:48ZengSciendoStudia Anglica Posnaniensia0081-62722082-51022017-03-01521537110.1515/stap-2017-0003stap-2017-0003Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ RecantationBorgogni Daniele0Department of Humanities, University of Turin, Via S. Ottavio 20, 10124 Turin, ItalyIn this article, two major paradigms within cognitive stylistics, the Conceptual Metaphor Theory (CMT) and the Conceptual Integration Theory (CIT), are applied as largely complementary approaches to discuss the scope and implicatures of the central metaphorical image of Copp’s Return to the wayes of Truth (1651), a text written by one of the most famous radical preachers of the Civil War period as a plea to be released from prison. The article will focus on how the linguistic and cultural contexts of Coppe’s prophetic writing, in their interaction with the dynamic conceptual relationships of a conceptual integration network, open up new possibilities of perspectivizing and insinuating radically different meanings and implicatures: the use of blends in Coppe’s text has a direct effect on the structure of the analogies that can be made between mental spaces, thereby triggering new meaning effects, supplementary symbolizing patterns, and unpredictable perlocutionary effects.https://doi.org/10.1515/stap-2017-0003conceptual metaphorblendingimplicatureseventeenth-century religious radicalismabiezer coppe
collection DOAJ
language English
format Article
sources DOAJ
author Borgogni Daniele
spellingShingle Borgogni Daniele
Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation
Studia Anglica Posnaniensia
conceptual metaphor
blending
implicature
seventeenth-century religious radicalism
abiezer coppe
author_facet Borgogni Daniele
author_sort Borgogni Daniele
title Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation
title_short Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation
title_full Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation
title_fullStr Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation
title_full_unstemmed Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation
title_sort clipped wings and the great abyss: cognitive stylistics and implicatures in abiezer coppe’s ‘prophetic’ recantation
publisher Sciendo
series Studia Anglica Posnaniensia
issn 0081-6272
2082-5102
publishDate 2017-03-01
description In this article, two major paradigms within cognitive stylistics, the Conceptual Metaphor Theory (CMT) and the Conceptual Integration Theory (CIT), are applied as largely complementary approaches to discuss the scope and implicatures of the central metaphorical image of Copp’s Return to the wayes of Truth (1651), a text written by one of the most famous radical preachers of the Civil War period as a plea to be released from prison. The article will focus on how the linguistic and cultural contexts of Coppe’s prophetic writing, in their interaction with the dynamic conceptual relationships of a conceptual integration network, open up new possibilities of perspectivizing and insinuating radically different meanings and implicatures: the use of blends in Coppe’s text has a direct effect on the structure of the analogies that can be made between mental spaces, thereby triggering new meaning effects, supplementary symbolizing patterns, and unpredictable perlocutionary effects.
topic conceptual metaphor
blending
implicature
seventeenth-century religious radicalism
abiezer coppe
url https://doi.org/10.1515/stap-2017-0003
work_keys_str_mv AT borgognidaniele clippedwingsandthegreatabysscognitivestylisticsandimplicaturesinabiezercoppespropheticrecantation
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