Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation
In this article, two major paradigms within cognitive stylistics, the Conceptual Metaphor Theory (CMT) and the Conceptual Integration Theory (CIT), are applied as largely complementary approaches to discuss the scope and implicatures of the central metaphorical image of Copp’s Return to the wayes of...
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Online Access: | https://doi.org/10.1515/stap-2017-0003 |
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doaj-5bec598bf60145a6b2adce3d20bf99772021-09-05T14:00:48ZengSciendoStudia Anglica Posnaniensia0081-62722082-51022017-03-01521537110.1515/stap-2017-0003stap-2017-0003Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ RecantationBorgogni Daniele0Department of Humanities, University of Turin, Via S. Ottavio 20, 10124 Turin, ItalyIn this article, two major paradigms within cognitive stylistics, the Conceptual Metaphor Theory (CMT) and the Conceptual Integration Theory (CIT), are applied as largely complementary approaches to discuss the scope and implicatures of the central metaphorical image of Copp’s Return to the wayes of Truth (1651), a text written by one of the most famous radical preachers of the Civil War period as a plea to be released from prison. The article will focus on how the linguistic and cultural contexts of Coppe’s prophetic writing, in their interaction with the dynamic conceptual relationships of a conceptual integration network, open up new possibilities of perspectivizing and insinuating radically different meanings and implicatures: the use of blends in Coppe’s text has a direct effect on the structure of the analogies that can be made between mental spaces, thereby triggering new meaning effects, supplementary symbolizing patterns, and unpredictable perlocutionary effects.https://doi.org/10.1515/stap-2017-0003conceptual metaphorblendingimplicatureseventeenth-century religious radicalismabiezer coppe |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Borgogni Daniele |
spellingShingle |
Borgogni Daniele Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation Studia Anglica Posnaniensia conceptual metaphor blending implicature seventeenth-century religious radicalism abiezer coppe |
author_facet |
Borgogni Daniele |
author_sort |
Borgogni Daniele |
title |
Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation |
title_short |
Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation |
title_full |
Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation |
title_fullStr |
Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation |
title_full_unstemmed |
Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation |
title_sort |
clipped wings and the great abyss: cognitive stylistics and implicatures in abiezer coppe’s ‘prophetic’ recantation |
publisher |
Sciendo |
series |
Studia Anglica Posnaniensia |
issn |
0081-6272 2082-5102 |
publishDate |
2017-03-01 |
description |
In this article, two major paradigms within cognitive stylistics, the Conceptual Metaphor Theory (CMT) and the Conceptual Integration Theory (CIT), are applied as largely complementary approaches to discuss the scope and implicatures of the central metaphorical image of Copp’s Return to the wayes of Truth (1651), a text written by one of the most famous radical preachers of the Civil War period as a plea to be released from prison. The article will focus on how the linguistic and cultural contexts of Coppe’s prophetic writing, in their interaction with the dynamic conceptual relationships of a conceptual integration network, open up new possibilities of perspectivizing and insinuating radically different meanings and implicatures: the use of blends in Coppe’s text has a direct effect on the structure of the analogies that can be made between mental spaces, thereby triggering new meaning effects, supplementary symbolizing patterns, and unpredictable perlocutionary effects. |
topic |
conceptual metaphor blending implicature seventeenth-century religious radicalism abiezer coppe |
url |
https://doi.org/10.1515/stap-2017-0003 |
work_keys_str_mv |
AT borgognidaniele clippedwingsandthegreatabysscognitivestylisticsandimplicaturesinabiezercoppespropheticrecantation |
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1717811344395206656 |