From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion

Research on the processes of mediatization aims to explore the mutual shaping of media and social life and how new media technologies influence and infiltrate social practices and cultural life. We extend this discussion of media’s role in transforming the everyday by including in the discussion the...

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Main Authors: Katrin Döveling, Anu A. Harju, Denise Sommer
Format: Article
Language:English
Published: SAGE Publishing 2018-01-01
Series:Social Media + Society
Online Access:https://doi.org/10.1177/2056305117743141
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spelling doaj-5bcd07926ada4bbf9b530e479bd53a6b2020-11-25T03:28:47ZengSAGE PublishingSocial Media + Society2056-30512018-01-01410.1177/2056305117743141From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of EmotionKatrin Döveling0Anu A. Harju1Denise Sommer2Alpen-Adria-Universität Klagenfurt, AustriaUniversity of Helsinki, FinlandOstfalia Hochschule für angewandte Wissenschaften, GermanyResearch on the processes of mediatization aims to explore the mutual shaping of media and social life and how new media technologies influence and infiltrate social practices and cultural life. We extend this discussion of media’s role in transforming the everyday by including in the discussion the mediatization of emotion and discuss what we conceptualize as digital affect culture(s). We understand these as relational, contextual, globally emergent spaces in the digital environment where affective flows construct atmospheres of emotional and cultural belonging by way of emotional resonance and alignment. Approaching emotion as a cultural practice, in terms of affect, as something people do instead of have, we discuss how digital affect culture(s) traverse the digital terrains and construct pockets of culture-specific communities of affective practice. We draw on existing empirical research on digital memorial culture to empirically illustrate how digital affect culture manifests on micro, meso, and macro levels and elaborate on the constitutive characteristics of digital affect culture. We conclude with implications of this conceptualization for theoretical advancement and empirical research.https://doi.org/10.1177/2056305117743141
collection DOAJ
language English
format Article
sources DOAJ
author Katrin Döveling
Anu A. Harju
Denise Sommer
spellingShingle Katrin Döveling
Anu A. Harju
Denise Sommer
From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion
Social Media + Society
author_facet Katrin Döveling
Anu A. Harju
Denise Sommer
author_sort Katrin Döveling
title From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion
title_short From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion
title_full From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion
title_fullStr From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion
title_full_unstemmed From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion
title_sort from mediatized emotion to digital affect cultures: new technologies and global flows of emotion
publisher SAGE Publishing
series Social Media + Society
issn 2056-3051
publishDate 2018-01-01
description Research on the processes of mediatization aims to explore the mutual shaping of media and social life and how new media technologies influence and infiltrate social practices and cultural life. We extend this discussion of media’s role in transforming the everyday by including in the discussion the mediatization of emotion and discuss what we conceptualize as digital affect culture(s). We understand these as relational, contextual, globally emergent spaces in the digital environment where affective flows construct atmospheres of emotional and cultural belonging by way of emotional resonance and alignment. Approaching emotion as a cultural practice, in terms of affect, as something people do instead of have, we discuss how digital affect culture(s) traverse the digital terrains and construct pockets of culture-specific communities of affective practice. We draw on existing empirical research on digital memorial culture to empirically illustrate how digital affect culture manifests on micro, meso, and macro levels and elaborate on the constitutive characteristics of digital affect culture. We conclude with implications of this conceptualization for theoretical advancement and empirical research.
url https://doi.org/10.1177/2056305117743141
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