Representasi Ironisme Kemanusiaan dalam Industri Musik Populer AS
Music is one of media product which is not able to be separated from Political Economy of Media even though it is packaged as leisure time entertainment product. Music which is particularly in Alternative subgenre is not far from its main genre which is Rock. In fact, this subgenre has a solid and p...
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| Format: | Article |
| Language: | English |
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Universitas Muhammadiyah Yogyakarta
2015-04-01
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| Series: | Komunikator |
| Online Access: | https://journal.umy.ac.id/index.php/jkm/article/view/210 |
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doaj-5b7f5bca27d94c8ba47427a37acde7282021-09-14T07:28:47ZengUniversitas Muhammadiyah YogyakartaKomunikator1979-67652549-92462015-04-01502169Representasi Ironisme Kemanusiaan dalam Industri Musik Populer ASAYU AMALIA0Program Studi Ilmu Komunikasi Universitas Muhammadiyah Yogyakarta, Jl. Lingkar Selatan, Tamantirto, Kasihan, Bantul, Yogyakarta 55183. Email: ami.khavid@umy.ac.idMusic is one of media product which is not able to be separated from Political Economy of Media even though it is packaged as leisure time entertainment product. Music which is particularly in Alternative subgenre is not far from its main genre which is Rock. In fact, this subgenre has a solid and prominent fan base which consists of young people who enjoy dynamic and fast-tempo music which tells the struggle of youngsters in their life. Ironically, the tragic incidents which surround the band personnel of ‘The All-American Rejects’ are used to increase the popularity of their single entitled ‘Move Along’. Keywords: Popular Music, the Political Economy of Media, Commodification, Discourse Analysishttps://journal.umy.ac.id/index.php/jkm/article/view/210 |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
AYU AMALIA |
| spellingShingle |
AYU AMALIA Representasi Ironisme Kemanusiaan dalam Industri Musik Populer AS Komunikator |
| author_facet |
AYU AMALIA |
| author_sort |
AYU AMALIA |
| title |
Representasi Ironisme Kemanusiaan dalam Industri Musik Populer AS |
| title_short |
Representasi Ironisme Kemanusiaan dalam Industri Musik Populer AS |
| title_full |
Representasi Ironisme Kemanusiaan dalam Industri Musik Populer AS |
| title_fullStr |
Representasi Ironisme Kemanusiaan dalam Industri Musik Populer AS |
| title_full_unstemmed |
Representasi Ironisme Kemanusiaan dalam Industri Musik Populer AS |
| title_sort |
representasi ironisme kemanusiaan dalam industri musik populer as |
| publisher |
Universitas Muhammadiyah Yogyakarta |
| series |
Komunikator |
| issn |
1979-6765 2549-9246 |
| publishDate |
2015-04-01 |
| description |
Music is one of media product which is not able to be separated from Political Economy of Media even though it is packaged as leisure time entertainment product. Music which is particularly in Alternative subgenre is not far from its main genre which is Rock. In fact, this subgenre has a solid and prominent fan base which consists of young people who enjoy dynamic and fast-tempo music which tells the struggle of youngsters in their life. Ironically, the tragic incidents which surround the band personnel of ‘The All-American Rejects’ are used to increase the popularity of their single entitled ‘Move Along’. Keywords: Popular Music, the Political Economy of Media, Commodification, Discourse Analysis |
| url |
https://journal.umy.ac.id/index.php/jkm/article/view/210 |
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