On protectionism in painting: On the example of paintings of Abdurahim Buza
The author or this paper stresses that Abdurahim Buza is one of the leading Albanian painters of the second half of the past century. He affirmed himself as one of the leading Albanian creators by building of specific painting style of his, in which the portraits and national thematic are dominating...
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| Format: | Article |
| Language: | English |
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Institute of Serbian Culture Priština, Leposavić
2010-01-01
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| Series: | Baština |
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| Online Access: | https://scindeks-clanci.ceon.rs/data/pdf/0353-9008/2010/0353-90081029210E.pdf |
| Summary: | The author or this paper stresses that Abdurahim Buza is one of the leading Albanian painters of the second half of the past century. He affirmed himself as one of the leading Albanian creators by building of specific painting style of his, in which the portraits and national thematic are dominating. At two paintings of his such as The Assembly of Prizrenska League and Azem Galica under Siege, a tendency of the artist to show separatist movement in Kosovo and Metohia is being reflected and national movement for liberation, but Kosovo and Metohia as Albanian ethnic and national area. This ideology had been recognized long time ago, contrary, to which the whole history of one people was standing linked with the Kosovo Myth, woven into the Serbian national being. |
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| ISSN: | 0353-9008 2683-5797 |