The Context-Dependency of the Experience of Auditory Succession and Prospects for Embodying Philosophical Models of Temporal Experience

Recent philosophical work on temporal experience offers generic models that are often assumed to apply to all sensory modalities. I show that the models serve as broad frameworks in which different aspects of cognitive science can be slotted and, thus, are beneficial to furthering research programs...

Full description

Bibliographic Details
Main Author: Maria Kon
Format: Article
Language:English
Published: The Ohio State University Libraries 2015-05-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://doi.org/10.18061/emr.v9i3-4.4478
id doaj-5afdc66c6f3e4855b881960c588b51dd
record_format Article
spelling doaj-5afdc66c6f3e4855b881960c588b51dd2020-11-24T21:02:20ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492015-05-0193-421322310.18061/emr.v9i3-4.4478The Context-Dependency of the Experience of Auditory Succession and Prospects for Embodying Philosophical Models of Temporal ExperienceMaria Kon0The University of Sydney, Unit for the History and Philosophy of Science and The Centre for TimeRecent philosophical work on temporal experience offers generic models that are often assumed to apply to all sensory modalities. I show that the models serve as broad frameworks in which different aspects of cognitive science can be slotted and, thus, are beneficial to furthering research programs in embodied music cognition. Here I discuss a particular feature of temporal experience that plays a key role in such philosophical work: a distinction between the experience of succession and the mere succession of experiences. I question the presupposition that there is such an evident, clear distinction and suggest that, instead, how the distinction is drawn is context-dependent. After suggesting a way to modify the philosophical models of temporal experience to accommodate this context-dependency, I illustrate that these models can fruitfully incorporate features of research projects in embodied musical cognition. To do so I supplement a modified retentionalist model with aspects of recent work that links bodily movement with musical perception (Godøy, 2006; 2010a; Jensenius, Wanderley, Godøy, and Leman, 2010). The resulting model is shown to facilitate novel hypotheses, refine the notion of context-dependency and point towards means of extending the philosophical model and an existent research program.https://doi.org/10.18061/emr.v9i3-4.4478modelingsuccessiontemporal experienceembodied cognition
collection DOAJ
language English
format Article
sources DOAJ
author Maria Kon
spellingShingle Maria Kon
The Context-Dependency of the Experience of Auditory Succession and Prospects for Embodying Philosophical Models of Temporal Experience
Empirical Musicology Review
modeling
succession
temporal experience
embodied cognition
author_facet Maria Kon
author_sort Maria Kon
title The Context-Dependency of the Experience of Auditory Succession and Prospects for Embodying Philosophical Models of Temporal Experience
title_short The Context-Dependency of the Experience of Auditory Succession and Prospects for Embodying Philosophical Models of Temporal Experience
title_full The Context-Dependency of the Experience of Auditory Succession and Prospects for Embodying Philosophical Models of Temporal Experience
title_fullStr The Context-Dependency of the Experience of Auditory Succession and Prospects for Embodying Philosophical Models of Temporal Experience
title_full_unstemmed The Context-Dependency of the Experience of Auditory Succession and Prospects for Embodying Philosophical Models of Temporal Experience
title_sort context-dependency of the experience of auditory succession and prospects for embodying philosophical models of temporal experience
publisher The Ohio State University Libraries
series Empirical Musicology Review
issn 1559-5749
publishDate 2015-05-01
description Recent philosophical work on temporal experience offers generic models that are often assumed to apply to all sensory modalities. I show that the models serve as broad frameworks in which different aspects of cognitive science can be slotted and, thus, are beneficial to furthering research programs in embodied music cognition. Here I discuss a particular feature of temporal experience that plays a key role in such philosophical work: a distinction between the experience of succession and the mere succession of experiences. I question the presupposition that there is such an evident, clear distinction and suggest that, instead, how the distinction is drawn is context-dependent. After suggesting a way to modify the philosophical models of temporal experience to accommodate this context-dependency, I illustrate that these models can fruitfully incorporate features of research projects in embodied musical cognition. To do so I supplement a modified retentionalist model with aspects of recent work that links bodily movement with musical perception (Godøy, 2006; 2010a; Jensenius, Wanderley, Godøy, and Leman, 2010). The resulting model is shown to facilitate novel hypotheses, refine the notion of context-dependency and point towards means of extending the philosophical model and an existent research program.
topic modeling
succession
temporal experience
embodied cognition
url https://doi.org/10.18061/emr.v9i3-4.4478
work_keys_str_mv AT mariakon thecontextdependencyoftheexperienceofauditorysuccessionandprospectsforembodyingphilosophicalmodelsoftemporalexperience
AT mariakon contextdependencyoftheexperienceofauditorysuccessionandprospectsforembodyingphilosophicalmodelsoftemporalexperience
_version_ 1716775677119692800