Gil's adaptations of the classic literary ones in the seventies: A return to his origins
The flexibility of censorship and the desire to make a film qualité led many of our filmmakers to adapt various works of renowned Spanish writers in the early seventies. Rafael Gil was one of the directors who chose this new wave, mainly due to his passion for literature and his intention to return...
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Ediciones Universidad de Salamanca
2015-12-01
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Series: | Fonseca: Journal of Communication |
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Online Access: | http://revistas.usal.es/index.php/2172-9077/article/view/13441 |
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doaj-5a7d6db6c2174cf18b1a60d4f2bb30032020-11-25T01:09:27ZengEdiciones Universidad de SalamancaFonseca: Journal of Communication2172-90772015-12-01111119722512323Gil's adaptations of the classic literary ones in the seventies: A return to his originsJuan Ignacio VALENZUELA MORENO0Universidad de CórdobaThe flexibility of censorship and the desire to make a film qualité led many of our filmmakers to adapt various works of renowned Spanish writers in the early seventies. Rafael Gil was one of the directors who chose this new wave, mainly due to his passion for literature and his intention to return to its roots as a director, after a few years spent in a commercial cinema in which had lost the favour of the criticism. Thus, from 1971-1974 he directed four films in which he shall record their real inquisitiveness as a filmmaker.http://revistas.usal.es/index.php/2172-9077/article/view/13441Rafael Gilcine españolliteraturaescritores clásicosadaptacionescensura |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Juan Ignacio VALENZUELA MORENO |
spellingShingle |
Juan Ignacio VALENZUELA MORENO Gil's adaptations of the classic literary ones in the seventies: A return to his origins Fonseca: Journal of Communication Rafael Gil cine español literatura escritores clásicos adaptaciones censura |
author_facet |
Juan Ignacio VALENZUELA MORENO |
author_sort |
Juan Ignacio VALENZUELA MORENO |
title |
Gil's adaptations of the classic literary ones in the seventies: A return to his origins |
title_short |
Gil's adaptations of the classic literary ones in the seventies: A return to his origins |
title_full |
Gil's adaptations of the classic literary ones in the seventies: A return to his origins |
title_fullStr |
Gil's adaptations of the classic literary ones in the seventies: A return to his origins |
title_full_unstemmed |
Gil's adaptations of the classic literary ones in the seventies: A return to his origins |
title_sort |
gil's adaptations of the classic literary ones in the seventies: a return to his origins |
publisher |
Ediciones Universidad de Salamanca |
series |
Fonseca: Journal of Communication |
issn |
2172-9077 |
publishDate |
2015-12-01 |
description |
The flexibility of censorship and the desire to make a film qualité led many of our filmmakers to adapt various works of renowned Spanish writers in the early seventies. Rafael Gil was one of the directors who chose this new wave, mainly due to his passion for literature and his intention to return to its roots as a director, after a few years spent in a commercial cinema in which had lost the favour of the criticism. Thus, from 1971-1974 he directed four films in which he shall record their real inquisitiveness as a filmmaker. |
topic |
Rafael Gil cine español literatura escritores clásicos adaptaciones censura |
url |
http://revistas.usal.es/index.php/2172-9077/article/view/13441 |
work_keys_str_mv |
AT juanignaciovalenzuelamoreno gilsadaptationsoftheclassicliteraryonesintheseventiesareturntohisorigins |
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