La fugace vita dei fotogrammi
Game has a central role in Nespolo’s art. Irony and caricature are the main stylistic features decisive for his film. Nespolo’s experimental cinema absorbs the avant-gardist idea of film as a creative game stricty related with life, the analytical approach toward visual image typical of Bauhaus’ sea...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2015-04-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/2266 |
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doaj-5a40256f39ad4edb89bacea387b18d61 |
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Article |
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doaj-5a40256f39ad4edb89bacea387b18d612020-11-24T21:58:17ZengRosenberg & SellierRivista di Estetica0035-62122421-58642015-04-01273210.4000/estetica.2266La fugace vita dei fotogrammiVittorio FagoneGame has a central role in Nespolo’s art. Irony and caricature are the main stylistic features decisive for his film. Nespolo’s experimental cinema absorbs the avant-gardist idea of film as a creative game stricty related with life, the analytical approach toward visual image typical of Bauhaus’ searches and the autonomy of “cinematographic eye” as a linguistic expression. Nespolo’s film produced between 1966 and 1977 can be grouped in four series: first, explorations and analysis of cinematographic image; second, surrealistic and bizarre theatre; third, film about avant-gardist searches of artists in Turin during the 60s; fourth, eccentric narratives in film of the 70s, definable as very representative of Nespolo’s cinema.http://journals.openedition.org/estetica/2266 |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Vittorio Fagone |
| spellingShingle |
Vittorio Fagone La fugace vita dei fotogrammi Rivista di Estetica |
| author_facet |
Vittorio Fagone |
| author_sort |
Vittorio Fagone |
| title |
La fugace vita dei fotogrammi |
| title_short |
La fugace vita dei fotogrammi |
| title_full |
La fugace vita dei fotogrammi |
| title_fullStr |
La fugace vita dei fotogrammi |
| title_full_unstemmed |
La fugace vita dei fotogrammi |
| title_sort |
la fugace vita dei fotogrammi |
| publisher |
Rosenberg & Sellier |
| series |
Rivista di Estetica |
| issn |
0035-6212 2421-5864 |
| publishDate |
2015-04-01 |
| description |
Game has a central role in Nespolo’s art. Irony and caricature are the main stylistic features decisive for his film. Nespolo’s experimental cinema absorbs the avant-gardist idea of film as a creative game stricty related with life, the analytical approach toward visual image typical of Bauhaus’ searches and the autonomy of “cinematographic eye” as a linguistic expression. Nespolo’s film produced between 1966 and 1977 can be grouped in four series: first, explorations and analysis of cinematographic image; second, surrealistic and bizarre theatre; third, film about avant-gardist searches of artists in Turin during the 60s; fourth, eccentric narratives in film of the 70s, definable as very representative of Nespolo’s cinema. |
| url |
http://journals.openedition.org/estetica/2266 |
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AT vittoriofagone lafugacevitadeifotogrammi |
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