Fluxus: between Koan and artistic practice
<p>Under the experimental Fluxus and shaped by their attraction to certain premises of Zen Buddhism, including koan, many artists began to raise all kinds of proposals, from object-based practices to actions, but generally guided by the mental structure of zen koan itself, for example, irony,...
Main Author: | |
---|---|
Format: | Article |
Language: | Spanish |
Published: |
Universidad de Granada
2011-01-01
|
Series: | Cuadernos de Arte de la Universidad de Granada |
Subjects: | |
Online Access: | http://revistaseug.ugr.es/index.php/caug/article/view/2659 |
Summary: | <p>Under the experimental Fluxus and shaped by their attraction to certain premises of Zen Buddhism, including koan, many artists began to raise all kinds of proposals, from object-based practices to actions, but generally guided by the mental structure of zen koan itself, for example, irony, humor and meditative processes. These artists were able to give a previously nonexistent prominence both actions based on daily events, such as objects that had failed to interest social. In this way, they managed to eliminate many of the barriers between art and life.</p> |
---|---|
ISSN: | 0210-962X 2445-4567 |