The Illness of Narrative: Reframing the Question of Limits

This paper uses Dostoevsky’s Notes from the Underground as the starting point for a critique of the assumption that engaging with narratives enhances well-being. While the ‘limits of narrative’ have long been an object of critique by scholars in the medical humanities, the question of limits h...

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Main Authors: Monica Greco, Paul Stenner
Format: Article
Language:English
Published: International Graduate Centre for the Study of Culture 2021-07-01
Series:On_Culture
Subjects:
Online Access:https://www.on-culture.org/journal/issue-11/illness-of-narrative/
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spelling doaj-59d6727d93ff4905bf3b25f2abc074d22021-08-03T09:09:57ZengInternational Graduate Centre for the Study of CultureOn_Culture2366-41422021-07-0111https://doi.org/10.22029/oc.2021.1225The Illness of Narrative: Reframing the Question of LimitsMonica GrecoPaul StennerThis paper uses Dostoevsky’s Notes from the Underground as the starting point for a critique of the assumption that engaging with narratives enhances well-being. While the ‘limits of narrative’ have long been an object of critique by scholars in the medical humanities, the question of limits has been posed primarily in terms of whether nar- rativity can be considered an anthropological universal, and in terms of what (or whom) a privileging of narrativity might exclude. Through Dostoevsky, we reframe this problem by asking whether the construction of selves through narrative can and should be regarded as a ‘healthy’ norm, even for those in whom this activity ap- pears to come naturally. Dostoevsky identified a dark side to the ‘heightened con- sciousness’ associated with supposedly enlightened modern individuals. He critiques a tendency towards ever increasing abstraction from concrete existence and embodies this critique in the character of the “underground man,” a man plagued by sickness and distress, partly because he can only conduct his life on the basis of what he has read. The paper urges those working in the medical humanities today to formulate an adequate response to the paradoxes exhibited in Dostoevsky’s great novel.https://www.on-culture.org/journal/issue-11/illness-of-narrative/narrativitydostoevskymedical humanitiesnarrative medicineliminality
collection DOAJ
language English
format Article
sources DOAJ
author Monica Greco
Paul Stenner
spellingShingle Monica Greco
Paul Stenner
The Illness of Narrative: Reframing the Question of Limits
On_Culture
narrativity
dostoevsky
medical humanities
narrative medicine
liminality
author_facet Monica Greco
Paul Stenner
author_sort Monica Greco
title The Illness of Narrative: Reframing the Question of Limits
title_short The Illness of Narrative: Reframing the Question of Limits
title_full The Illness of Narrative: Reframing the Question of Limits
title_fullStr The Illness of Narrative: Reframing the Question of Limits
title_full_unstemmed The Illness of Narrative: Reframing the Question of Limits
title_sort illness of narrative: reframing the question of limits
publisher International Graduate Centre for the Study of Culture
series On_Culture
issn 2366-4142
publishDate 2021-07-01
description This paper uses Dostoevsky’s Notes from the Underground as the starting point for a critique of the assumption that engaging with narratives enhances well-being. While the ‘limits of narrative’ have long been an object of critique by scholars in the medical humanities, the question of limits has been posed primarily in terms of whether nar- rativity can be considered an anthropological universal, and in terms of what (or whom) a privileging of narrativity might exclude. Through Dostoevsky, we reframe this problem by asking whether the construction of selves through narrative can and should be regarded as a ‘healthy’ norm, even for those in whom this activity ap- pears to come naturally. Dostoevsky identified a dark side to the ‘heightened con- sciousness’ associated with supposedly enlightened modern individuals. He critiques a tendency towards ever increasing abstraction from concrete existence and embodies this critique in the character of the “underground man,” a man plagued by sickness and distress, partly because he can only conduct his life on the basis of what he has read. The paper urges those working in the medical humanities today to formulate an adequate response to the paradoxes exhibited in Dostoevsky’s great novel.
topic narrativity
dostoevsky
medical humanities
narrative medicine
liminality
url https://www.on-culture.org/journal/issue-11/illness-of-narrative/
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