La chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux Avions Marcel Dassault (Bordeaux)

During a long strike at the Dassault-Aviation factories in Martignac and Merignac (from 1 December 1966 to 28 February 1967), workers from the inter-union coalition recorded their songs and one of the soundmarks of the demands, the “tam-tam” which echoed in the workshops to the hammered rhythm of “D...

Full description

Bibliographic Details
Main Author: Noëlle Gérôme
Format: Article
Language:English
Published: Centre de recherches sur les arts et le langage 2020-05-01
Series:Transposition
Subjects:
Online Access:http://journals.openedition.org/transposition/5399
id doaj-59a07c512afb45b685c94c52915375bd
record_format Article
spelling doaj-59a07c512afb45b685c94c52915375bd2021-05-04T07:59:43ZengCentre de recherches sur les arts et le langageTransposition2110-61342020-05-0110.4000/transposition.5399La chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux Avions Marcel Dassault (Bordeaux)Noëlle GérômeDuring a long strike at the Dassault-Aviation factories in Martignac and Merignac (from 1 December 1966 to 28 February 1967), workers from the inter-union coalition recorded their songs and one of the soundmarks of the demands, the “tam-tam” which echoed in the workshops to the hammered rhythm of “Das-sault doit pa-yer”. The preservation of these rare testimonies, which attest to the importance of sound and musical expression during the strike action, was ensured by the self-release of a commemorative 33-rpm vinyl, Les fruits de la colère, where the in vivo recordings are integrated into a chronological account of the struggle. Noëlle Gérôme, an ethnologist in the French field at the CNRS, transcribed and analysed the entire document in 1986 for the journal Technologies, Idéologies, Pratiques, and in 1999 she used an extract from it in the proceedings of a symposium of the Société d’Ethnologie Française. She presented the socio-political significance of symbolic worker productions, the richness of sound cultures within factories and the skills of their personnel when it comes to producing and recording their sound universe beyond their professional functions. Revised by the author in an unpublished form, this online republication offers the reader access to the entire audio document.http://journals.openedition.org/transposition/5399strikesound culturesongdemonstrationworking-class cultureDassault Aviation
collection DOAJ
language English
format Article
sources DOAJ
author Noëlle Gérôme
spellingShingle Noëlle Gérôme
La chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux Avions Marcel Dassault (Bordeaux)
Transposition
strike
sound culture
song
demonstration
working-class culture
Dassault Aviation
author_facet Noëlle Gérôme
author_sort Noëlle Gérôme
title La chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux Avions Marcel Dassault (Bordeaux)
title_short La chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux Avions Marcel Dassault (Bordeaux)
title_full La chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux Avions Marcel Dassault (Bordeaux)
title_fullStr La chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux Avions Marcel Dassault (Bordeaux)
title_full_unstemmed La chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux Avions Marcel Dassault (Bordeaux)
title_sort la chronique sonore d’une grève par les grévistes : décembre 1966 – février 1967 aux avions marcel dassault (bordeaux)
publisher Centre de recherches sur les arts et le langage
series Transposition
issn 2110-6134
publishDate 2020-05-01
description During a long strike at the Dassault-Aviation factories in Martignac and Merignac (from 1 December 1966 to 28 February 1967), workers from the inter-union coalition recorded their songs and one of the soundmarks of the demands, the “tam-tam” which echoed in the workshops to the hammered rhythm of “Das-sault doit pa-yer”. The preservation of these rare testimonies, which attest to the importance of sound and musical expression during the strike action, was ensured by the self-release of a commemorative 33-rpm vinyl, Les fruits de la colère, where the in vivo recordings are integrated into a chronological account of the struggle. Noëlle Gérôme, an ethnologist in the French field at the CNRS, transcribed and analysed the entire document in 1986 for the journal Technologies, Idéologies, Pratiques, and in 1999 she used an extract from it in the proceedings of a symposium of the Société d’Ethnologie Française. She presented the socio-political significance of symbolic worker productions, the richness of sound cultures within factories and the skills of their personnel when it comes to producing and recording their sound universe beyond their professional functions. Revised by the author in an unpublished form, this online republication offers the reader access to the entire audio document.
topic strike
sound culture
song
demonstration
working-class culture
Dassault Aviation
url http://journals.openedition.org/transposition/5399
work_keys_str_mv AT noellegerome lachroniquesonoredunegreveparlesgrevistesdecembre1966fevrier1967auxavionsmarceldassaultbordeaux
_version_ 1721479627791138816