On the left bank of the Seine
<p>Since the middle of 1980’s until the end of 1990 in Cuba takes place an upsurge of works of social literature focusing in the shortage of products faced by Cubans in that period and questioning the canons and paradigms established in the country after 1959. With the decline of this boom the...
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| Format: | Article |
| Language: | Spanish |
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Universitat Autònoma de Barcelona
2014-12-01
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| Series: | Mitologías Hoy |
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| Online Access: | https://revistes.uab.cat/mitologias/article/view/189 |
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doaj-5910ee62e6e346ddbe9fc49a5b1429eb |
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doaj-5910ee62e6e346ddbe9fc49a5b1429eb2021-02-16T15:24:21ZspaUniversitat Autònoma de BarcelonaMitologías Hoy2014-11302014-12-01100738210.5565/rev/mitologias.189154On the left bank of the SeinePaula Guillarón<p>Since the middle of 1980’s until the end of 1990 in Cuba takes place an upsurge of works of social literature focusing in the shortage of products faced by Cubans in that period and questioning the canons and paradigms established in the country after 1959. With the decline of this boom the source of inspiration is found beyond the Island by many authors, among them the controversial Ena Lucia Portela. This is particularly evident in her novel <em>Djuna y Daniel</em>, set in the Bohemian and intellectual Paris of 1920-1940 , in which various features of Portela’s literary aesthetic –transgression, “rare” characters, erudition, homoeroticism, irony, exclusion– are shown. The novel deals with a period of the life of the American writer Djuna Barnes and the Bohemian and intellectual entourage of the Quartier Latin in Paris.<strong></strong></p>https://revistes.uab.cat/mitologias/article/view/189ena lucía portelaespacioliteraturamujerparíspersonajetransgresión |
| collection |
DOAJ |
| language |
Spanish |
| format |
Article |
| sources |
DOAJ |
| author |
Paula Guillarón |
| spellingShingle |
Paula Guillarón On the left bank of the Seine Mitologías Hoy ena lucía portela espacio literatura mujer parís personaje transgresión |
| author_facet |
Paula Guillarón |
| author_sort |
Paula Guillarón |
| title |
On the left bank of the Seine |
| title_short |
On the left bank of the Seine |
| title_full |
On the left bank of the Seine |
| title_fullStr |
On the left bank of the Seine |
| title_full_unstemmed |
On the left bank of the Seine |
| title_sort |
on the left bank of the seine |
| publisher |
Universitat Autònoma de Barcelona |
| series |
Mitologías Hoy |
| issn |
2014-1130 |
| publishDate |
2014-12-01 |
| description |
<p>Since the middle of 1980’s until the end of 1990 in Cuba takes place an upsurge of works of social literature focusing in the shortage of products faced by Cubans in that period and questioning the canons and paradigms established in the country after 1959. With the decline of this boom the source of inspiration is found beyond the Island by many authors, among them the controversial Ena Lucia Portela. This is particularly evident in her novel <em>Djuna y Daniel</em>, set in the Bohemian and intellectual Paris of 1920-1940 , in which various features of Portela’s literary aesthetic –transgression, “rare” characters, erudition, homoeroticism, irony, exclusion– are shown. The novel deals with a period of the life of the American writer Djuna Barnes and the Bohemian and intellectual entourage of the Quartier Latin in Paris.<strong></strong></p> |
| topic |
ena lucía portela espacio literatura mujer parís personaje transgresión |
| url |
https://revistes.uab.cat/mitologias/article/view/189 |
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AT paulaguillaron ontheleftbankoftheseine |
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