Leonesse officianti e animali acrobati? Riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebane

In recent years, an increasing number of scholars has suggested that the zoonyms recurrent in the recipient position in some Thebes tablets could be reasonably interpreted as ritual titles; these may refer to persons dressed as animals and engaged in some kind of cult activity. Looking for iconograp...

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Main Author: Matilde Civitillo
Format: Article
Language:Italian
Published: Edizioni Museo Pasqualino 2020-10-01
Series:Mantichora
Online Access:https://cab.unime.it/journals/index.php/IJPS/article/view/2719
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spelling doaj-58a43476a7104fbb81bbbca7bf5306102020-11-25T04:09:02ZitaEdizioni Museo PasqualinoMantichora2240-53802020-10-017010.6092/2240-5380/7.2017.292133Leonesse officianti e animali acrobati? Riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebaneMatilde Civitillo0Università della Campania "Luigi Vanvitelli"In recent years, an increasing number of scholars has suggested that the zoonyms recurrent in the recipient position in some Thebes tablets could be reasonably interpreted as ritual titles; these may refer to persons dressed as animals and engaged in some kind of cult activity. Looking for iconographic parallels of animal masks and masquerades in the Aegean bronze age, some authors have turned their attention to a number of homosomatic hybrids that populate Minoan and Mycenaean glyptic. The latter have been interpreted as reflecting real-life practices and actual performances of enacted transfiguration, during which people may have been garbed as lions, bulls, agrimi, stags, and so forth, using masks and hides, for symbolic, even shamanistic, purposes. The present study deals with the complex issue of hybridity with reference to a specific iconographic type, the «Tiermenschlicher Akrobaten» or «somersaulting hybrid man». The analysis of these images takes into account their circulation and the social practices to which they are associated, discussing the possibility that they may have played multiple roles in ritual, corporeal, social, and political narratives.https://cab.unime.it/journals/index.php/IJPS/article/view/2719
collection DOAJ
language Italian
format Article
sources DOAJ
author Matilde Civitillo
spellingShingle Matilde Civitillo
Leonesse officianti e animali acrobati? Riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebane
Mantichora
author_facet Matilde Civitillo
author_sort Matilde Civitillo
title Leonesse officianti e animali acrobati? Riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebane
title_short Leonesse officianti e animali acrobati? Riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebane
title_full Leonesse officianti e animali acrobati? Riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebane
title_fullStr Leonesse officianti e animali acrobati? Riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebane
title_full_unstemmed Leonesse officianti e animali acrobati? Riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebane
title_sort leonesse officianti e animali acrobati? riflessioni su alcuni mischwesen minoici e micenei alla luce delle evidenze epigrafiche tebane
publisher Edizioni Museo Pasqualino
series Mantichora
issn 2240-5380
publishDate 2020-10-01
description In recent years, an increasing number of scholars has suggested that the zoonyms recurrent in the recipient position in some Thebes tablets could be reasonably interpreted as ritual titles; these may refer to persons dressed as animals and engaged in some kind of cult activity. Looking for iconographic parallels of animal masks and masquerades in the Aegean bronze age, some authors have turned their attention to a number of homosomatic hybrids that populate Minoan and Mycenaean glyptic. The latter have been interpreted as reflecting real-life practices and actual performances of enacted transfiguration, during which people may have been garbed as lions, bulls, agrimi, stags, and so forth, using masks and hides, for symbolic, even shamanistic, purposes. The present study deals with the complex issue of hybridity with reference to a specific iconographic type, the «Tiermenschlicher Akrobaten» or «somersaulting hybrid man». The analysis of these images takes into account their circulation and the social practices to which they are associated, discussing the possibility that they may have played multiple roles in ritual, corporeal, social, and political narratives.
url https://cab.unime.it/journals/index.php/IJPS/article/view/2719
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