Telling Tales of War to Teens: Ignacio Martínez de Pisón's Una guerra africana and Morocco as "Open Wound" in the Spanish National Imaginary

Exactly ten years after its traumatic defeat in the Spanish-American War of 1898, Spain appeared to find some compensation for the loss of its last colonies by undertaking the invasion of Morocco in 1908. The enterprise proved difficult when the forces of Abd-el-Krim defeated the Spanish army in the...

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Main Author: Silvia Bermúdez
Format: Article
Language:English
Published: New Prairie Press 2006-01-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol30/iss1/11
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spelling doaj-57efeca68a10408ebd3afda127a9a0ec2020-11-24T23:32:22ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44152006-01-0130110.4148/2334-4415.16215713796Telling Tales of War to Teens: Ignacio Martínez de Pisón's Una guerra africana and Morocco as "Open Wound" in the Spanish National ImaginarySilvia BermúdezExactly ten years after its traumatic defeat in the Spanish-American War of 1898, Spain appeared to find some compensation for the loss of its last colonies by undertaking the invasion of Morocco in 1908. The enterprise proved difficult when the forces of Abd-el-Krim defeated the Spanish army in the summer of 1921. This terrible loss was metaphorized as an "open wound" and entered the collective imagination by becoming a theme in novels such as José Díaz Fernández's El blocao (1928), Ramón Sender's Imán (1930), and Arturo Barea's series La forja de un rebelde (1941-1944). Known as the "Disaster of Annual," the defeat appeared to be almost forgotten until a series of narratives in the late twentieth and early twenty-first centuries obsessively returned to this particular moment of Spanish history. I focus on how one such narrative, Martínez de Pisón's Una guerra africana (2000), revisits this war as adolescent literature ("novelas juveniles") and within the literary genre of the "novels of the War in Africa," and by so doing, contributes to the articulation of a Spanish collective identity with the historical memory of the feared Moroccan Other.http://newprairiepress.org/sttcl/vol30/iss1/11
collection DOAJ
language English
format Article
sources DOAJ
author Silvia Bermúdez
spellingShingle Silvia Bermúdez
Telling Tales of War to Teens: Ignacio Martínez de Pisón's Una guerra africana and Morocco as "Open Wound" in the Spanish National Imaginary
Studies in 20th & 21st Century Literature
author_facet Silvia Bermúdez
author_sort Silvia Bermúdez
title Telling Tales of War to Teens: Ignacio Martínez de Pisón's Una guerra africana and Morocco as "Open Wound" in the Spanish National Imaginary
title_short Telling Tales of War to Teens: Ignacio Martínez de Pisón's Una guerra africana and Morocco as "Open Wound" in the Spanish National Imaginary
title_full Telling Tales of War to Teens: Ignacio Martínez de Pisón's Una guerra africana and Morocco as "Open Wound" in the Spanish National Imaginary
title_fullStr Telling Tales of War to Teens: Ignacio Martínez de Pisón's Una guerra africana and Morocco as "Open Wound" in the Spanish National Imaginary
title_full_unstemmed Telling Tales of War to Teens: Ignacio Martínez de Pisón's Una guerra africana and Morocco as "Open Wound" in the Spanish National Imaginary
title_sort telling tales of war to teens: ignacio martínez de pisón's una guerra africana and morocco as "open wound" in the spanish national imaginary
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 2006-01-01
description Exactly ten years after its traumatic defeat in the Spanish-American War of 1898, Spain appeared to find some compensation for the loss of its last colonies by undertaking the invasion of Morocco in 1908. The enterprise proved difficult when the forces of Abd-el-Krim defeated the Spanish army in the summer of 1921. This terrible loss was metaphorized as an "open wound" and entered the collective imagination by becoming a theme in novels such as José Díaz Fernández's El blocao (1928), Ramón Sender's Imán (1930), and Arturo Barea's series La forja de un rebelde (1941-1944). Known as the "Disaster of Annual," the defeat appeared to be almost forgotten until a series of narratives in the late twentieth and early twenty-first centuries obsessively returned to this particular moment of Spanish history. I focus on how one such narrative, Martínez de Pisón's Una guerra africana (2000), revisits this war as adolescent literature ("novelas juveniles") and within the literary genre of the "novels of the War in Africa," and by so doing, contributes to the articulation of a Spanish collective identity with the historical memory of the feared Moroccan Other.
url http://newprairiepress.org/sttcl/vol30/iss1/11
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