Richard Wagner, Destiny and Fulfilment Tannhäuser or the Capitalisation on Medieval Legends
To speak nowadays of Wagner’s egotism, after time has “classified” his incontestable œuvre in the highest areas of international dramaturgy, is not in the least surprising. To notice, however, his sparks of genius and the radical anticipations announced as early as his first operas, this is truly im...
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| Format: | Article |
| Language: | deu |
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Artes
2020-11-01
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| Series: | Anastasis: Research in Medieval Culture and Art |
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| Online Access: | http://anastasis-review.ro/wp-content/uploads/ARMCA-2020-VII-2-07_Georgel-Hariton.pdf |