Semiotics of Musical Sign in Iraqi Pantomime Show (Ahriman) as a Model
The musical sign was associated with the first appearances of acting that are based on human gestures and expressive and silent movements, and they contributed in accentuating and clarifying these gestures and explain their meanings and indications, and they remained with them until these gestures...
Main Authors: | Ali Uday Sahib, Shymaa Hussain Taher |
---|---|
Format: | Article |
Language: | Arabic |
Published: |
College of Fine Arts / University of Baghdad
2021-03-01
|
Series: | الاكاديمي |
Subjects: | |
Online Access: | https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/559 |
Similar Items
-
Disentangling Pantomime From Early Sign in a New Sign Language: Window Into Language Evolution Research
by: Ana Mineiro, et al.
Published: (2021-04-01) -
Desecrations and new figurations in early 18th century ballet pantomimes
by: Paola Martinuzzi
Published: (2012-12-01) -
The pantomimes of Augustus Harris : Drury Lane, 1879-1895 /
by: Coggin, Frederick Marsh
Published: (1973) -
The staging of pantomime at Sadler's Wells Theatre, 1828-1860 /
by: Morrow, John Charles
Published: (1963) -
Effectiveness of psychodrama with pantomime on the social adjustment of deaf female students
by: Salar Faramarzi, et al.
Published: (2017-07-01)