New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0

This paper discusses smartphone spectatorship with a focus on user participation, interactivity, and the fusion of digital media and mov-ing images. In the renaissance of mobile filmmaking and participatory culture, there is no longer a definite difference in the quality of cin-ema and mobile media...

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Main Author: Kata Szita
Format: Article
Language:English
Published: Amsterdam University Press 2020-07-01
Series:NECSUS : European journal of media studies
Online Access:https://necsus-ejms.org/new-perspectives-on-an-imperfect-cinema-smartphones-spectatorship-and-screen-culture-2-0/
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spelling doaj-57700a73d19d400e875a50b889825ec22020-11-25T03:59:41ZengAmsterdam University PressNECSUS : European journal of media studies2213-02172020-07-01913152http://dx.doi.org/10.25969/mediarep/14317New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0Kata SzitaThis paper discusses smartphone spectatorship with a focus on user participation, interactivity, and the fusion of digital media and mov-ing images. In the renaissance of mobile filmmaking and participatory culture, there is no longer a definite difference in the quality of cin-ema and mobile media tools. Instead, users’ embodied and social presences define the framework of viewing and production. By re-flecting on the sovereignty of smartphone film culture, this paper highlights the behavioural and cultural trajectories of mobile movie consumption, where content access merges with content production.https://necsus-ejms.org/new-perspectives-on-an-imperfect-cinema-smartphones-spectatorship-and-screen-culture-2-0/
collection DOAJ
language English
format Article
sources DOAJ
author Kata Szita
spellingShingle Kata Szita
New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0
NECSUS : European journal of media studies
author_facet Kata Szita
author_sort Kata Szita
title New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0
title_short New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0
title_full New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0
title_fullStr New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0
title_full_unstemmed New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0
title_sort new perspectives on an imperfect cinema: smartphones, spectatorship, and screen culture 2.0
publisher Amsterdam University Press
series NECSUS : European journal of media studies
issn 2213-0217
publishDate 2020-07-01
description This paper discusses smartphone spectatorship with a focus on user participation, interactivity, and the fusion of digital media and mov-ing images. In the renaissance of mobile filmmaking and participatory culture, there is no longer a definite difference in the quality of cin-ema and mobile media tools. Instead, users’ embodied and social presences define the framework of viewing and production. By re-flecting on the sovereignty of smartphone film culture, this paper highlights the behavioural and cultural trajectories of mobile movie consumption, where content access merges with content production.
url https://necsus-ejms.org/new-perspectives-on-an-imperfect-cinema-smartphones-spectatorship-and-screen-culture-2-0/
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