BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIA
The Principality and later Kingdom of Serbia with its less pronounced class differences, with a thin layer of urban population and the dominance of rural population, was the perfect target for the military musicians that were coming from the Habsburg Empire. “Foreigners” as military musicians would...
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Faculty of Philosophy Novi Sad, Department of History
2017-12-01
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doaj-574dae4e0d454709bb7004c9469afc772020-11-25T01:59:20ZdeuFaculty of Philosophy Novi Sad, Department of History Истраживања0350-21122406-11312017-12-012810.19090/i.2017.28.118-1332062BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIAMAJA VASILJEVIĆ0HARIS DAJČ1University of Belgrade, Faculty of PhilosophyUniversity of Belgrade, Faculty of Philosophy The Principality and later Kingdom of Serbia with its less pronounced class differences, with a thin layer of urban population and the dominance of rural population, was the perfect target for the military musicians that were coming from the Habsburg Empire. “Foreigners” as military musicians would progress into higher strata. Czech musicians were the most important and most numerous among the newcomers in Serbia and the role of Josif Schlesinger as the first important musician is essential for understanding their importance and influence. The educational and modernization process could be followed by the growth in the number of professional military musicians. http://istrazivanja.ff.uns.ac.rs/index.php/istr/article/view/2062Kingdom of Serbiamilitary musiciansCzechsminoritiesmodernizationcivil-military relations |
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language |
deu |
format |
Article |
sources |
DOAJ |
author |
MAJA VASILJEVIĆ HARIS DAJČ |
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MAJA VASILJEVIĆ HARIS DAJČ BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIA Истраживања Kingdom of Serbia military musicians Czechs minorities modernization civil-military relations |
author_facet |
MAJA VASILJEVIĆ HARIS DAJČ |
author_sort |
MAJA VASILJEVIĆ |
title |
BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIA |
title_short |
BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIA |
title_full |
BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIA |
title_fullStr |
BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIA |
title_full_unstemmed |
BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIA |
title_sort |
between courtly, civil and military service: military musicians in the principality and kingdom of serbia |
publisher |
Faculty of Philosophy Novi Sad, Department of History |
series |
Истраживања |
issn |
0350-2112 2406-1131 |
publishDate |
2017-12-01 |
description |
The Principality and later Kingdom of Serbia with its less pronounced class differences, with a thin layer of urban population and the dominance of rural population, was the perfect target for the military musicians that were coming from the Habsburg Empire. “Foreigners” as military musicians would progress into higher strata. Czech musicians were the most important and most numerous among the newcomers in Serbia and the role of Josif Schlesinger as the first important musician is essential for understanding their importance and influence. The educational and modernization process could be followed by the growth in the number of professional military musicians.
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topic |
Kingdom of Serbia military musicians Czechs minorities modernization civil-military relations |
url |
http://istrazivanja.ff.uns.ac.rs/index.php/istr/article/view/2062 |
work_keys_str_mv |
AT majavasiljevic betweencourtlycivilandmilitaryservicemilitarymusiciansintheprincipalityandkingdomofserbia AT harisdajc betweencourtlycivilandmilitaryservicemilitarymusiciansintheprincipalityandkingdomofserbia |
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