‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean Periods

In the English Renaissance, the Petrarchan lover was the figure of excess par excellence. In poems and plays of the late Elizabethan and early Jacobean periods, his excessive desire and grief were expressed through a rhetoric characterised by a systematic resort to set devices and a repeated use of...

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Main Author: Rémi Vuillemin
Format: Article
Language:English
Published: Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles 2014-12-01
Series:XVII-XVIII
Online Access:http://journals.openedition.org/1718/395
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spelling doaj-5745f3abb701435d9296ba40453c7dcd2020-11-24T22:18:45ZengSociété d'Etudes Anglo-Américaines des XVIIe et XVIIIe sièclesXVII-XVIII0291-37982117-590X2014-12-01719912010.4000/1718.395‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean PeriodsRémi VuilleminIn the English Renaissance, the Petrarchan lover was the figure of excess par excellence. In poems and plays of the late Elizabethan and early Jacobean periods, his excessive desire and grief were expressed through a rhetoric characterised by a systematic resort to set devices and a repeated use of Petrarchan commonplaces. This has led to a certain misconception of Petrarchism in general, and of the Petrarchan sonnet in particular, as a meaningless juxtaposition of clichés. However, the literary criticism of the last three decades has shown that the excesses of the lover were part of the very issues Petrarchan sonnets sought to address. In that sense, sonnet sequences are not to be set apart from other literary works of the period, though their moral ambiguity is probably responsible for some of their critical misfortune. Drawing from varied sources, this paper explains the literary, cultural and moral reasons why excess was so central an issue for both Petrarchan poets and those who criticised their work in the 1590s and 1600s.http://journals.openedition.org/1718/395
collection DOAJ
language English
format Article
sources DOAJ
author Rémi Vuillemin
spellingShingle Rémi Vuillemin
‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean Periods
XVII-XVIII
author_facet Rémi Vuillemin
author_sort Rémi Vuillemin
title ‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean Periods
title_short ‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean Periods
title_full ‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean Periods
title_fullStr ‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean Periods
title_full_unstemmed ‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean Periods
title_sort ‘love with excess of heat’: the sonnet and petrarchan excess in the late elizabethan and early jacobean periods
publisher Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
series XVII-XVIII
issn 0291-3798
2117-590X
publishDate 2014-12-01
description In the English Renaissance, the Petrarchan lover was the figure of excess par excellence. In poems and plays of the late Elizabethan and early Jacobean periods, his excessive desire and grief were expressed through a rhetoric characterised by a systematic resort to set devices and a repeated use of Petrarchan commonplaces. This has led to a certain misconception of Petrarchism in general, and of the Petrarchan sonnet in particular, as a meaningless juxtaposition of clichés. However, the literary criticism of the last three decades has shown that the excesses of the lover were part of the very issues Petrarchan sonnets sought to address. In that sense, sonnet sequences are not to be set apart from other literary works of the period, though their moral ambiguity is probably responsible for some of their critical misfortune. Drawing from varied sources, this paper explains the literary, cultural and moral reasons why excess was so central an issue for both Petrarchan poets and those who criticised their work in the 1590s and 1600s.
url http://journals.openedition.org/1718/395
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