Immagini del denaro: scambio, temporalità e dispendio nel cinema
This essay discusses the matter of the cinematography, with the analysis of Elio Petri’s film and novel, La proprietà non è più un furto, in the background. These works are paradigmatic as to a fundamental aspect of the cinematography, that connects it with the mechanism of the money. This mechanism...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2011-03-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/1638 |
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Article |
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doaj-56d6e73ae3be49d1bd9d104d62b46d942020-11-25T01:51:42ZengRosenberg & SellierRivista di Estetica0035-62122421-58642011-03-0146617410.4000/estetica.1638Immagini del denaro: scambio, temporalità e dispendio nel cinemaDario GiuglianoThis essay discusses the matter of the cinematography, with the analysis of Elio Petri’s film and novel, La proprietà non è più un furto, in the background. These works are paradigmatic as to a fundamental aspect of the cinematography, that connects it with the mechanism of the money. This mechanism, as every other human product, is the effect of a projection of the humanistic ideology. For this ideology the system of exchange is the ground of the monetary circulation. Criticizing this idea, this essay individualizes a correspondence between production (capture) of images in the cinema and monetary circulation (considered in his totality of displacement and original theft).http://journals.openedition.org/estetica/1638 |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Dario Giugliano |
| spellingShingle |
Dario Giugliano Immagini del denaro: scambio, temporalità e dispendio nel cinema Rivista di Estetica |
| author_facet |
Dario Giugliano |
| author_sort |
Dario Giugliano |
| title |
Immagini del denaro: scambio, temporalità e dispendio nel cinema |
| title_short |
Immagini del denaro: scambio, temporalità e dispendio nel cinema |
| title_full |
Immagini del denaro: scambio, temporalità e dispendio nel cinema |
| title_fullStr |
Immagini del denaro: scambio, temporalità e dispendio nel cinema |
| title_full_unstemmed |
Immagini del denaro: scambio, temporalità e dispendio nel cinema |
| title_sort |
immagini del denaro: scambio, temporalità e dispendio nel cinema |
| publisher |
Rosenberg & Sellier |
| series |
Rivista di Estetica |
| issn |
0035-6212 2421-5864 |
| publishDate |
2011-03-01 |
| description |
This essay discusses the matter of the cinematography, with the analysis of Elio Petri’s film and novel, La proprietà non è più un furto, in the background. These works are paradigmatic as to a fundamental aspect of the cinematography, that connects it with the mechanism of the money. This mechanism, as every other human product, is the effect of a projection of the humanistic ideology. For this ideology the system of exchange is the ground of the monetary circulation. Criticizing this idea, this essay individualizes a correspondence between production (capture) of images in the cinema and monetary circulation (considered in his totality of displacement and original theft). |
| url |
http://journals.openedition.org/estetica/1638 |
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AT dariogiugliano immaginideldenaroscambiotemporalitaedispendionelcinema |
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