Immagini del denaro: scambio, temporalità e dispendio nel cinema
This essay discusses the matter of the cinematography, with the analysis of Elio Petri’s film and novel, La proprietà non è più un furto, in the background. These works are paradigmatic as to a fundamental aspect of the cinematography, that connects it with the mechanism of the money. This mechanism...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2011-03-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/1638 |
| Summary: | This essay discusses the matter of the cinematography, with the analysis of Elio Petri’s film and novel, La proprietà non è più un furto, in the background. These works are paradigmatic as to a fundamental aspect of the cinematography, that connects it with the mechanism of the money. This mechanism, as every other human product, is the effect of a projection of the humanistic ideology. For this ideology the system of exchange is the ground of the monetary circulation. Criticizing this idea, this essay individualizes a correspondence between production (capture) of images in the cinema and monetary circulation (considered in his totality of displacement and original theft). |
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| ISSN: | 0035-6212 2421-5864 |