The cinema as an experience esthetic
The film can be considered in a broad sense, as a language, or rather, a fact of language. But this has a number of pragmatic functions (communication or knowledge) that are outside of the aesthetic experience, which seems to escape or go beyond that logic merely utilitarian. Textual analysis is exp...
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| Format: | Article |
| Language: | Spanish |
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Corporación Universitaria Minuto de Dios
2011-01-01
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| Series: | Práxis Pedagógica |
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| Online Access: | http://biblioteca.uniminuto.edu/ojs/index.php/praxis/article/view/1243 |
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Article |
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doaj-5699169a181247559bd8c1bbb8d303f02020-11-24T22:08:37ZspaCorporación Universitaria Minuto de DiosPráxis Pedagógica0124-14942011-01-01111261510.26620/uniminuto.praxis.11.12.2011.6-151151The cinema as an experience estheticLuis Martín Arias0Universidad de ValladolidThe film can be considered in a broad sense, as a language, or rather, a fact of language. But this has a number of pragmatic functions (communication or knowledge) that are outside of the aesthetic experience, which seems to escape or go beyond that logic merely utilitarian. Textual analysis is exploring, building a theory first and then check on the specific study of a film. In this case we chose The Man Who Shot Liberty Valance (John Ford, 1962).http://biblioteca.uniminuto.edu/ojs/index.php/praxis/article/view/1243CinepelículasestéticaWho shoot Liberty Balance. |
| collection |
DOAJ |
| language |
Spanish |
| format |
Article |
| sources |
DOAJ |
| author |
Luis Martín Arias |
| spellingShingle |
Luis Martín Arias The cinema as an experience esthetic Práxis Pedagógica Cine películas estética Who shoot Liberty Balance. |
| author_facet |
Luis Martín Arias |
| author_sort |
Luis Martín Arias |
| title |
The cinema as an experience esthetic |
| title_short |
The cinema as an experience esthetic |
| title_full |
The cinema as an experience esthetic |
| title_fullStr |
The cinema as an experience esthetic |
| title_full_unstemmed |
The cinema as an experience esthetic |
| title_sort |
cinema as an experience esthetic |
| publisher |
Corporación Universitaria Minuto de Dios |
| series |
Práxis Pedagógica |
| issn |
0124-1494 |
| publishDate |
2011-01-01 |
| description |
The film can be considered in a broad sense, as a language, or rather, a fact of language. But this has a number of pragmatic functions (communication or knowledge) that are outside of the aesthetic experience, which seems to escape or go beyond that logic merely utilitarian. Textual analysis is exploring, building a theory first and then check on the specific study of a film. In this case we chose The Man Who Shot Liberty Valance (John Ford, 1962). |
| topic |
Cine películas estética Who shoot Liberty Balance. |
| url |
http://biblioteca.uniminuto.edu/ojs/index.php/praxis/article/view/1243 |
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AT luismartinarias thecinemaasanexperienceesthetic AT luismartinarias cinemaasanexperienceesthetic |
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