The home screen as an anchor point for mobile media use: Technologies, practices, identities

Mobile media use is more dispersed and de-centralised than ever – spatially and socially, but also in terms of the platforms and apps involved. In that context, the home screen of the smartphone’s operating system arguably acts as an anchor point and catalyst that not only shapes the procedural rhet...

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Bibliographic Details
Main Author: Stefan Werning
Format: Article
Language:English
Published: Amsterdam University Press 2016-01-01
Series:NECSUS : European journal of media studies
Online Access:https://www.necsus-ejms.org/test/the-home-screen-as-an-anchor-point-for-mobile-media-use-technologies-practices-identities/
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spelling doaj-56338a41d646472da7c57ecb0de0166b2020-11-25T03:55:48ZengAmsterdam University PressNECSUS : European journal of media studies2213-02172016-01-015215117010.25969/mediarep/3361The home screen as an anchor point for mobile media use: Technologies, practices, identitiesStefan WerningMobile media use is more dispersed and de-centralised than ever – spatially and socially, but also in terms of the platforms and apps involved. In that context, the home screen of the smartphone’s operating system arguably acts as an anchor point and catalyst that not only shapes the procedural rhetoric of the apps using it but also ‘remediates’ several traditional functions that we associate with the notion of home. This article conceptualises the home screen as a hybrid concept between place and practice. For instance, customising the screen can be interpreted as a playful performance of the user’s online identity, especially since sharing screenshots is becoming increasingly common as a cultural practice. This notion of curating the surface of one’s media device and assessing it in aesthetic terms is contextualised with reference to historical practices of constructing domesticity in the 19th century by way of designing and photographing one’s family home. To retrace the shifting functions of the Android and iOS home screen, the article pursues a comparative software studies approach that outlines how they evolve as socio-technical systems in terms of affordances, material metaphors, and rhetoric, often reflecting public discourse around mobile phone use in general. Finally, the findings are offset against prominent discursive frames that characterise the home screen as a ‘hallowed place’, thereby demonstrating the ongoing relevance but also the ambiguity of the concept of home in mobile media use.https://www.necsus-ejms.org/test/the-home-screen-as-an-anchor-point-for-mobile-media-use-technologies-practices-identities/
collection DOAJ
language English
format Article
sources DOAJ
author Stefan Werning
spellingShingle Stefan Werning
The home screen as an anchor point for mobile media use: Technologies, practices, identities
NECSUS : European journal of media studies
author_facet Stefan Werning
author_sort Stefan Werning
title The home screen as an anchor point for mobile media use: Technologies, practices, identities
title_short The home screen as an anchor point for mobile media use: Technologies, practices, identities
title_full The home screen as an anchor point for mobile media use: Technologies, practices, identities
title_fullStr The home screen as an anchor point for mobile media use: Technologies, practices, identities
title_full_unstemmed The home screen as an anchor point for mobile media use: Technologies, practices, identities
title_sort home screen as an anchor point for mobile media use: technologies, practices, identities
publisher Amsterdam University Press
series NECSUS : European journal of media studies
issn 2213-0217
publishDate 2016-01-01
description Mobile media use is more dispersed and de-centralised than ever – spatially and socially, but also in terms of the platforms and apps involved. In that context, the home screen of the smartphone’s operating system arguably acts as an anchor point and catalyst that not only shapes the procedural rhetoric of the apps using it but also ‘remediates’ several traditional functions that we associate with the notion of home. This article conceptualises the home screen as a hybrid concept between place and practice. For instance, customising the screen can be interpreted as a playful performance of the user’s online identity, especially since sharing screenshots is becoming increasingly common as a cultural practice. This notion of curating the surface of one’s media device and assessing it in aesthetic terms is contextualised with reference to historical practices of constructing domesticity in the 19th century by way of designing and photographing one’s family home. To retrace the shifting functions of the Android and iOS home screen, the article pursues a comparative software studies approach that outlines how they evolve as socio-technical systems in terms of affordances, material metaphors, and rhetoric, often reflecting public discourse around mobile phone use in general. Finally, the findings are offset against prominent discursive frames that characterise the home screen as a ‘hallowed place’, thereby demonstrating the ongoing relevance but also the ambiguity of the concept of home in mobile media use.
url https://www.necsus-ejms.org/test/the-home-screen-as-an-anchor-point-for-mobile-media-use-technologies-practices-identities/
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