'Projecting the future in German art historiography of the nineteenth century: Franz Kugler, Karl Schnaase, and Gottfried Semper'
In the mid-nineteenth century Franz Kugler and Karl Schnaase decisively shaped the conception of art history as a discipline. Both explored connections between art of former epochs and that of the present. They understood the art of their day to be the result of a tradition of modernity based on the...
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Format: | Article |
Language: | English |
Published: |
Department of Art History, University of Birmingham
2013-12-01
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Series: | Journal of Art Historiography |
Subjects: | |
Online Access: | http://arthistoriography.files.wordpress.com/2013/12/karge.pdf |
Summary: | In the mid-nineteenth century Franz Kugler and Karl Schnaase decisively shaped the conception of art history as a discipline. Both explored connections between art of former epochs and that of the present. They understood the art of their day to be the result of a tradition of modernity based on the Renaissance and pointing into the future. Schnaase took an evolutionistic view similar to that of the architect Gottfried Semper: both advised against planning a programmatic new style. For Semper, the potential of new developments lay in the continuation of design patterns inherited from the earliest humans. |
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ISSN: | 2042-4752 |