Health Education for Musicians

Context and aims: Many musicians suffer for their art, and health is often compromised during training. The Health Promotion in Schools of Music (HPSM) project has recommended that health education should be included in core curricula, although few such courses have been evaluated to date. The aim o...

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Main Authors: Raluca Matei, Stephen Broad, Juliet Goldbart, Jane Ginsborg
Format: Article
Language:English
Published: Frontiers Media S.A. 2018-07-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/article/10.3389/fpsyg.2018.01137/full
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spelling doaj-557042164fa44e6c923d60b91a5b9bc12020-11-24T22:04:08ZengFrontiers Media S.A.Frontiers in Psychology1664-10782018-07-01910.3389/fpsyg.2018.01137394593Health Education for MusiciansRaluca Matei0Stephen Broad1Juliet Goldbart2Jane Ginsborg3Centre for Music Performance Research, Royal Northern College of Music, Manchester, United KingdomResearch and Knowledge Exchange, Royal Conservatoire of Scotland, Glasgow, United KingdomFaculty of Health, Psychology and Social Care, Manchester Metropolitan University, Manchester, United KingdomCentre for Music Performance Research, Royal Northern College of Music, Manchester, United KingdomContext and aims: Many musicians suffer for their art, and health is often compromised during training. The Health Promotion in Schools of Music (HPSM) project has recommended that health education should be included in core curricula, although few such courses have been evaluated to date. The aim of the study was to design, implement and evaluate a compulsory health education course at a UK conservatoire of music.Methods: The course design was informed by a critical appraisal of the literature on musicians' health problems and their management, existing health education courses for musicians, and the HPSM recommendations. It was delivered by a team of appropriately-qualified tutors over 5 months to 104 first-year undergraduate students, and evaluated by means of questionnaires at the beginning and end of the course. Thirty-three students who had been in their first year the year before the course was introduced served as a control group, completing the questionnaire on one occasion only. Items concerned: hearing and use of hearing protection; primary outcomes including perceived knowledge and importance of the topics taught on the course; and secondary outcomes including physical and psychological health and health-promoting behaviors. The content of the essays written by the first-year students as part of their course assessment served as a guide to the topics they found most interesting and relevant.Results: Comparatively few respondents reported using hearing protection when practicing alone, although there was some evidence of hearing loss, tinnitus, and hyperacusis. Perceived knowledge of the topics on the course, and awareness of the risks to health associated with performing music, increased, as did self-efficacy; otherwise, there were negative effects on secondary outcomes, and few differences between the intervention and control groups. The topics most frequently covered in students' essays were managing music performance anxiety, and life skills and behavior change techniques.Conclusion: There is considerable scope for improving music students' physical and psychological health and health-related behaviors through health education, and persuading senior managers, educators and students themselves that health education can contribute to performance enhancement.https://www.frontiersin.org/article/10.3389/fpsyg.2018.01137/fullhealth educationhealth promotionmusicianscourse designcourse evaluation
collection DOAJ
language English
format Article
sources DOAJ
author Raluca Matei
Stephen Broad
Juliet Goldbart
Jane Ginsborg
spellingShingle Raluca Matei
Stephen Broad
Juliet Goldbart
Jane Ginsborg
Health Education for Musicians
Frontiers in Psychology
health education
health promotion
musicians
course design
course evaluation
author_facet Raluca Matei
Stephen Broad
Juliet Goldbart
Jane Ginsborg
author_sort Raluca Matei
title Health Education for Musicians
title_short Health Education for Musicians
title_full Health Education for Musicians
title_fullStr Health Education for Musicians
title_full_unstemmed Health Education for Musicians
title_sort health education for musicians
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2018-07-01
description Context and aims: Many musicians suffer for their art, and health is often compromised during training. The Health Promotion in Schools of Music (HPSM) project has recommended that health education should be included in core curricula, although few such courses have been evaluated to date. The aim of the study was to design, implement and evaluate a compulsory health education course at a UK conservatoire of music.Methods: The course design was informed by a critical appraisal of the literature on musicians' health problems and their management, existing health education courses for musicians, and the HPSM recommendations. It was delivered by a team of appropriately-qualified tutors over 5 months to 104 first-year undergraduate students, and evaluated by means of questionnaires at the beginning and end of the course. Thirty-three students who had been in their first year the year before the course was introduced served as a control group, completing the questionnaire on one occasion only. Items concerned: hearing and use of hearing protection; primary outcomes including perceived knowledge and importance of the topics taught on the course; and secondary outcomes including physical and psychological health and health-promoting behaviors. The content of the essays written by the first-year students as part of their course assessment served as a guide to the topics they found most interesting and relevant.Results: Comparatively few respondents reported using hearing protection when practicing alone, although there was some evidence of hearing loss, tinnitus, and hyperacusis. Perceived knowledge of the topics on the course, and awareness of the risks to health associated with performing music, increased, as did self-efficacy; otherwise, there were negative effects on secondary outcomes, and few differences between the intervention and control groups. The topics most frequently covered in students' essays were managing music performance anxiety, and life skills and behavior change techniques.Conclusion: There is considerable scope for improving music students' physical and psychological health and health-related behaviors through health education, and persuading senior managers, educators and students themselves that health education can contribute to performance enhancement.
topic health education
health promotion
musicians
course design
course evaluation
url https://www.frontiersin.org/article/10.3389/fpsyg.2018.01137/full
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