Images – perception and cinema in Bergson and Deleuze. [Spanish]

Deleuze determines the nature of cinema in terms of two key concepts: image-movement and image-time. With the help of these concepts he explains the essence of cinema before WW II as being founded on action and movement, whereas cinema after WW II is explained as having changed into a reflexive cine...

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Main Author:	Matthias Vollet
Format:	Article
Language:	English
Published:	Fundación Universidad del Norte 2006-01-01
Series:	Eidos
Subjects:	Bergson Deleuze image perception cinema image-movement image-time conscience
Online Access:	http://rcientificas.uninorte.edu.co/index.php/eidos/article/view/1497/966

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spelling	doaj-556490374d17429aab3c0a21df6956ba2021-05-03T04:54:41ZengFundación Universidad del NorteEidos1692-88572011-74772006-01-0157093Images – perception and cinema in Bergson and Deleuze. [Spanish]Matthias VolletDeleuze determines the nature of cinema in terms of two key concepts: image-movement and image-time. With the help of these concepts he explains the essence of cinema before WW II as being founded on action and movement, whereas cinema after WW II is explained as having changed into a reflexive cinema which is directed towards time and its realizations. Deleuze says that he has taken both concepts from Bergson’s “Matter and Memory”. In this article these Deleuzian concepts are roughly explained. I will then address the question in what sense Bergson can be considered as the originator of these concepts. I will finally specify the Deleuzian concepts of imagemovement and image-time and discuss their explanatory force.http://rcientificas.uninorte.edu.co/index.php/eidos/article/view/1497/966BergsonDeleuzeimageperceptioncinemaimage-movementimage-timeconscience
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Matthias Vollet
spellingShingle	Matthias Vollet Images – perception and cinema in Bergson and Deleuze. [Spanish] Eidos Bergson Deleuze image perception cinema image-movement image-time conscience
author_facet	Matthias Vollet
author_sort	Matthias Vollet
title	Images – perception and cinema in Bergson and Deleuze. [Spanish]
title_short	Images – perception and cinema in Bergson and Deleuze. [Spanish]
title_full	Images – perception and cinema in Bergson and Deleuze. [Spanish]
title_fullStr	Images – perception and cinema in Bergson and Deleuze. [Spanish]
title_full_unstemmed	Images – perception and cinema in Bergson and Deleuze. [Spanish]
title_sort	images – perception and cinema in bergson and deleuze. [spanish]
publisher	Fundación Universidad del Norte
series	Eidos
issn	1692-8857 2011-7477
publishDate	2006-01-01
description	Deleuze determines the nature of cinema in terms of two key concepts: image-movement and image-time. With the help of these concepts he explains the essence of cinema before WW II as being founded on action and movement, whereas cinema after WW II is explained as having changed into a reflexive cinema which is directed towards time and its realizations. Deleuze says that he has taken both concepts from Bergson’s “Matter and Memory”. In this article these Deleuzian concepts are roughly explained. I will then address the question in what sense Bergson can be considered as the originator of these concepts. I will finally specify the Deleuzian concepts of imagemovement and image-time and discuss their explanatory force.
topic	Bergson Deleuze image perception cinema image-movement image-time conscience
url	http://rcientificas.uninorte.edu.co/index.php/eidos/article/view/1497/966
work_keys_str_mv	AT matthiasvollet imagesperceptionandcinemainbergsonanddeleuzespanish
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Images – perception and cinema in Bergson and Deleuze. [Spanish]

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