Musical Articulation: A Synoptic View of Baroque Form
As it does with any continuing stimulus, the response to a prolonged tone or group of tones will eventually disappear from consciousness. How long this takes to happen will depend on the nature of the stimulus: in the case of a single tone, obviously on its loudness, but also on its structure, on w...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Columbia University Libraries
2003-03-01
|
| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4940 |
| id |
doaj-5534203e63ad4bd0a686aea70fdb0c58 |
|---|---|
| record_format |
Article |
| spelling |
doaj-5534203e63ad4bd0a686aea70fdb0c582020-11-25T03:34:13ZengColumbia University LibrariesCurrent Musicology0011-37352003-03-017510.7916/cm.v0i75.4940Musical Articulation: A Synoptic View of Baroque FormEdward Lippman As it does with any continuing stimulus, the response to a prolonged tone or group of tones will eventually disappear from consciousness. How long this takes to happen will depend on the nature of the stimulus: in the case of a single tone, obviously on its loudness, but also on its structure, on whether this is simply sinusoidal, or compound. In any event, the tone must be repeated or a different tone sounded if a melodic formulation is to arise. https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4940 |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Edward Lippman |
| spellingShingle |
Edward Lippman Musical Articulation: A Synoptic View of Baroque Form Current Musicology |
| author_facet |
Edward Lippman |
| author_sort |
Edward Lippman |
| title |
Musical Articulation: A Synoptic View of Baroque Form |
| title_short |
Musical Articulation: A Synoptic View of Baroque Form |
| title_full |
Musical Articulation: A Synoptic View of Baroque Form |
| title_fullStr |
Musical Articulation: A Synoptic View of Baroque Form |
| title_full_unstemmed |
Musical Articulation: A Synoptic View of Baroque Form |
| title_sort |
musical articulation: a synoptic view of baroque form |
| publisher |
Columbia University Libraries |
| series |
Current Musicology |
| issn |
0011-3735 |
| publishDate |
2003-03-01 |
| description |
As it does with any continuing stimulus, the response to a prolonged tone or group of tones will eventually disappear from consciousness. How long this takes to happen will depend on the nature of the stimulus: in the case of a single tone, obviously on its loudness, but also on its structure, on whether this is simply sinusoidal, or compound. In any event, the tone must be repeated or a different tone sounded if a melodic formulation is to arise.
|
| url |
https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4940 |
| work_keys_str_mv |
AT edwardlippman musicalarticulationasynopticviewofbaroqueform |
| _version_ |
1724559860388855808 |