The Environmentalization of space and listening

This paper aims to analyze the relationship between listening techniques and technologies and forms of subjectivation in our current auditory culture compared to mid-20th century practices. Applying a media archaeological approach in order to unearth underlying histories of knowledge of the discuss...

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Main Author: Valentin Ris
Format: Article
Language:English
Published: Royal Danish Library 2021-01-01
Series:SoundEffects
Online Access:https://www.soundeffects.dk/article/view/124204
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spelling doaj-552f44061daf465cbc1e33f773f974152021-03-29T20:42:55ZengRoyal Danish LibrarySoundEffects1904-500X2021-01-0110110.7146/se.v10i1.124204The Environmentalization of space and listeningValentin Ris This paper aims to analyze the relationship between listening techniques and technologies and forms of subjectivation in our current auditory culture compared to mid-20th century practices. Applying a media archaeological approach in order to unearth underlying histories of knowledge of the discussed technologies and practices offers a way of understanding how subjectivations and the constitution of environments in the context of large power regimes are intertwined. Against the theoretical backdrop of Gilles Deleuze’s text on “societies of control” and Erich Hörl’s notion of “Environmentalization”, the paper outlines conceptualizations of environments in different forms of sonic control that are inherent in practices and technologies of noise-cancelling headphones and specifi c Spotify playlists. The listening spaces that emerge in the analyzed practices/technologies reveal continuities as well as discontinuities when compared to their historical predecessors. Both the current phenomena are characterized by a process of advancing cybernetization and thus the formation of controllable environments. The depicted transformation corresponds to Deleuze’s observation of a new paradigm of power which he characterized as a shift from “molding” to “modulation”, i.e. a shift from a form-imposing to a self-regulating mode of power. Spotify’s concentration playlists and noisecancelling headphones both operate based on the principle of modulation and represent modes of environmental technologies. In the consideration of the subject-environment relationship on the other hand, current forms of subjectivation become apparent in cybernetic visions of control and environmental power. It is thus shown that listening spaces offer an approach to analyzing power and subjectivation. https://www.soundeffects.dk/article/view/124204
collection DOAJ
language English
format Article
sources DOAJ
author Valentin Ris
spellingShingle Valentin Ris
The Environmentalization of space and listening
SoundEffects
author_facet Valentin Ris
author_sort Valentin Ris
title The Environmentalization of space and listening
title_short The Environmentalization of space and listening
title_full The Environmentalization of space and listening
title_fullStr The Environmentalization of space and listening
title_full_unstemmed The Environmentalization of space and listening
title_sort environmentalization of space and listening
publisher Royal Danish Library
series SoundEffects
issn 1904-500X
publishDate 2021-01-01
description This paper aims to analyze the relationship between listening techniques and technologies and forms of subjectivation in our current auditory culture compared to mid-20th century practices. Applying a media archaeological approach in order to unearth underlying histories of knowledge of the discussed technologies and practices offers a way of understanding how subjectivations and the constitution of environments in the context of large power regimes are intertwined. Against the theoretical backdrop of Gilles Deleuze’s text on “societies of control” and Erich Hörl’s notion of “Environmentalization”, the paper outlines conceptualizations of environments in different forms of sonic control that are inherent in practices and technologies of noise-cancelling headphones and specifi c Spotify playlists. The listening spaces that emerge in the analyzed practices/technologies reveal continuities as well as discontinuities when compared to their historical predecessors. Both the current phenomena are characterized by a process of advancing cybernetization and thus the formation of controllable environments. The depicted transformation corresponds to Deleuze’s observation of a new paradigm of power which he characterized as a shift from “molding” to “modulation”, i.e. a shift from a form-imposing to a self-regulating mode of power. Spotify’s concentration playlists and noisecancelling headphones both operate based on the principle of modulation and represent modes of environmental technologies. In the consideration of the subject-environment relationship on the other hand, current forms of subjectivation become apparent in cybernetic visions of control and environmental power. It is thus shown that listening spaces offer an approach to analyzing power and subjectivation.
url https://www.soundeffects.dk/article/view/124204
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