"Reserved dictatorship": a psychosocial look between the scenes of an audio-visual production

This paper presents the research results of the documentary "Reserved Dictatorship", which exhibits the memories of communist militant subjects in Joinville – SC, Brazil during the military regime (1964-1984). The main objective of this work is to look for possible readings of what the doc...

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Main Author: Lilian Vegini Baptista
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina (UFSC) 2018-12-01
Series:Revista de Ciências Humanas
Subjects:
Online Access:https://periodicos.ufsc.br/index.php/revistacfh/article/view/49129
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spelling doaj-55214ce866ae41ef95674ee237456c5d2020-11-25T00:17:27ZengUniversidade Federal de Santa Catarina (UFSC)Revista de Ciências Humanas0101-95892178-45822018-12-0152012210.5007/2178-4582.2018.e4912930305"Reserved dictatorship": a psychosocial look between the scenes of an audio-visual productionLilian Vegini Baptista0Associação Catarinse de Ensino (ACE) - Joinville/SCThis paper presents the research results of the documentary "Reserved Dictatorship", which exhibits the memories of communist militant subjects in Joinville – SC, Brazil during the military regime (1964-1984). The main objective of this work is to look for possible readings of what the documentary shows us specifically about relations between movie and researchers/viewers, paying attention to the work aesthetic dimension. The methodological composition was based on Vygotsky's discussions about the aesthetic and on Carlos Ginzburg's principles of the index paradigm. We watched the work initially without worrying and without researching for details to be analyzed; later they were seen with the intention of "less listening and more seeing" as a way of engaging with the documentary beyond verbal language. Thus, it is stated that the details observed in between scenes compose the aesthetic dimension of the designated work, and they can generate inexhaustible and variable readings and receptions to every viewerhttps://periodicos.ufsc.br/index.php/revistacfh/article/view/49129Ditadura MilitarAudiovisualPsicologia Social
collection DOAJ
language English
format Article
sources DOAJ
author Lilian Vegini Baptista
spellingShingle Lilian Vegini Baptista
"Reserved dictatorship": a psychosocial look between the scenes of an audio-visual production
Revista de Ciências Humanas
Ditadura Militar
Audiovisual
Psicologia Social
author_facet Lilian Vegini Baptista
author_sort Lilian Vegini Baptista
title "Reserved dictatorship": a psychosocial look between the scenes of an audio-visual production
title_short "Reserved dictatorship": a psychosocial look between the scenes of an audio-visual production
title_full "Reserved dictatorship": a psychosocial look between the scenes of an audio-visual production
title_fullStr "Reserved dictatorship": a psychosocial look between the scenes of an audio-visual production
title_full_unstemmed "Reserved dictatorship": a psychosocial look between the scenes of an audio-visual production
title_sort "reserved dictatorship": a psychosocial look between the scenes of an audio-visual production
publisher Universidade Federal de Santa Catarina (UFSC)
series Revista de Ciências Humanas
issn 0101-9589
2178-4582
publishDate 2018-12-01
description This paper presents the research results of the documentary "Reserved Dictatorship", which exhibits the memories of communist militant subjects in Joinville – SC, Brazil during the military regime (1964-1984). The main objective of this work is to look for possible readings of what the documentary shows us specifically about relations between movie and researchers/viewers, paying attention to the work aesthetic dimension. The methodological composition was based on Vygotsky's discussions about the aesthetic and on Carlos Ginzburg's principles of the index paradigm. We watched the work initially without worrying and without researching for details to be analyzed; later they were seen with the intention of "less listening and more seeing" as a way of engaging with the documentary beyond verbal language. Thus, it is stated that the details observed in between scenes compose the aesthetic dimension of the designated work, and they can generate inexhaustible and variable readings and receptions to every viewer
topic Ditadura Militar
Audiovisual
Psicologia Social
url https://periodicos.ufsc.br/index.php/revistacfh/article/view/49129
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