A remissão histórica do figurino e a construção da idéia de Brasil: a lógica do vestuário na obra de Caramuru de Guel Arraes
In this work we searched for identifying the characters’ outfit of the film <em>Caramuru, the invention of Brazil </em>(2000), by Guel Arraes, and demonstrating that the historical costume is, many times, exhibited in a remissive way and without any order indicating to other distant spac...
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| Format: | Article |
| Language: | English |
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Universidade de São Paulo
2010-12-01
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| Series: | Significação: Revista de Cultura Audiovisual |
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| Online Access: | http://www.revistas.usp.br/significacao/article/view/68119 |