“Puisque Esther, elle aussi comédienne, sut jouer la comédie au roi”: la storia di Ester nel teatro giudeo-provenzale
The Judaeo-Provençal tradition of Purim celebrations is to be considered particularly interesting: in fact, most Judaeo-Provençal texts - which constitute a comparatively small corpus - are interpretations of the story of Esther, dating from XIV to XX century. In this article we will deal with so...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2011-06-01
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| Series: | Altre Modernità |
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| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/1160 |
| Summary: | The Judaeo-Provençal tradition of Purim celebrations is to be considered particularly interesting: in fact, most Judaeo-Provençal texts - which constitute a comparatively small corpus - are interpretations of the story of Esther, dating from XIV to XX century. In this article we will deal with some dramatic aspects in the representations of the story of Esther: the Roman d'Esther (1327) by Crescas du Caylar; the Tragediou de la Reine Esther by Mardoché Astruc and Jacob Lunel (1774); the Esther de Carpentras (1928) by Armand Lunel. We will also discuss the incidence of both traditional sources (with particular emphasis on the Midrashim) and contemporary culture in the theatrical inspiration of the three dramas. |
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| ISSN: | 2035-7680 |