Affective transits in contemporary poetry: cartography, highlights and pathways
This article inquires about the strong presence of art works, especially in contemporary poetry, that proposes a relational or collective way of reading and writing, that opens the notions of voice and subjectivity to the encounters with the other, showing a conception of poetry as a body that affe...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal Fluminense
2012-12-01
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| Series: | Gragoatá |
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| Online Access: | http://www.gragoata.uff.br/index.php/gragoata/article/view/105 |
| Summary: | This article inquires about the strong presence of art works, especially in contemporary poetry, that proposes a relational or collective way of reading and writing, that opens the notions of voice and subjectivity to the encounters with the other, showing a conception of poetry as a body that affects and can be affected. For this, and taking the Marília Garcia’s work as a thread, I want to focus in some paradigmatic characteristics of contemporary poetry. At first, a focus on the work - poem, text, film - as a permanent movement of write-read, simultaneously, result of the readings and encounters with poets/friends, and addressed to them. Second, on the evidence of the failure of the correspondence between reading and writing, between representation and real (observing especially the questioning of the cartography’s fantasy of localization). At last, on the work is produced as a road guided by emotional encounters, which perform the critical failure between representation and real, designing interventions in cartography, at once destabilizing any potential location, and creating spaces of belonging. |
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| ISSN: | 1413-9073 2358-4114 |