Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun

The Cameroon contemporary music has progressiveley become one of the social discourses or popular arts in general where the body negative discrimination has increased these last ten years. It has pushed out the norms (aesthetic, social or artistic) with a thematic evolution at the « under stomach »...

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Main Author: Jean-Benoît Tsofack
Format: Article
Language:fra
Published: Université Abderrahmane Mira - Bejaia 2018-12-01
Series:Multilinguales
Subjects:
sex
Online Access:http://journals.openedition.org/multilinguales/3648
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spelling doaj-5431c55d04284772944c8b66131f143b2020-11-25T03:25:45ZfraUniversité Abderrahmane Mira - BejaiaMultilinguales2335-15352018-12-011010.4000/multilinguales.3648Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au CamerounJean-Benoît TsofackThe Cameroon contemporary music has progressiveley become one of the social discourses or popular arts in general where the body negative discrimination has increased these last ten years. It has pushed out the norms (aesthetic, social or artistic) with a thematic evolution at the « under stomach » level which encourages obscenity and a desacralization of the nakeness which was until then the basis of the traditional and cultural values. The main objectif of this article is to explore the artistic discourse as a new form of (re)appropriation and reinvention the public social space which needs a social or a political regulation in term of « living together ».http://journals.openedition.org/multilinguales/3648musicdiscriminationsbodyinterventionsex
collection DOAJ
language fra
format Article
sources DOAJ
author Jean-Benoît Tsofack
spellingShingle Jean-Benoît Tsofack
Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun
Multilinguales
music
discriminations
body
intervention
sex
author_facet Jean-Benoît Tsofack
author_sort Jean-Benoît Tsofack
title Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun
title_short Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun
title_full Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun
title_fullStr Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun
title_full_unstemmed Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun
title_sort quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au cameroun
publisher Université Abderrahmane Mira - Bejaia
series Multilinguales
issn 2335-1535
publishDate 2018-12-01
description The Cameroon contemporary music has progressiveley become one of the social discourses or popular arts in general where the body negative discrimination has increased these last ten years. It has pushed out the norms (aesthetic, social or artistic) with a thematic evolution at the « under stomach » level which encourages obscenity and a desacralization of the nakeness which was until then the basis of the traditional and cultural values. The main objectif of this article is to explore the artistic discourse as a new form of (re)appropriation and reinvention the public social space which needs a social or a political regulation in term of « living together ».
topic music
discriminations
body
intervention
sex
url http://journals.openedition.org/multilinguales/3648
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