„…s použitím všech sprostých a obskurních slov“: Jana Krejcarovás Poetik des Obszönen zwischen Revolte und Melancholie // ‘…with the use of all vulgar and obscure words’: Jana Krejcarová’s Poetry of the Obscene Between Revolt and Melancholy
Against the backdrop of the outright phobic tabooisation and removal of eroticism and sexuality from the arts and from all areas of public life in the ‘socialist society’ following February 1948, the erotic texts of Jana Krejcarová represent a ‘total’ provocation and subversion of the sexless soci...
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Univerzita Karlova, Filozofická fakulta
2017-11-01
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| Online Access: | https://sites.ff.cuni.cz/wordandsense/wp-content/uploads/sites/18/2017/11/Josef_Vojvodik_25-31.pdf |
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doaj-5413e259e58944378da52198c926f8312020-11-25T00:02:46ZcesUniverzita Karlova, Filozofická fakultaSlovo a Smysl1214-79152336-66802017-11-0114282531„…s použitím všech sprostých a obskurních slov“: Jana Krejcarovás Poetik des Obszönen zwischen Revolte und Melancholie // ‘…with the use of all vulgar and obscure words’: Jana Krejcarová’s Poetry of the Obscene Between Revolt and MelancholyJosef Vojvodík0Ústav české literatury a komparatistiky Filozofické fakulty Univerzity KarlovyAgainst the backdrop of the outright phobic tabooisation and removal of eroticism and sexuality from the arts and from all areas of public life in the ‘socialist society’ following February 1948, the erotic texts of Jana Krejcarová represent a ‘total’ provocation and subversion of the sexless socialistic realism and its petty prudishness. The extreme obscenity of Jana Krejcarová’s erotic texts, which also contain elements of parody and irony, coupled with the high degree of aggressivity and fierceness (especially the ‘Letter’ addressed to Egon Bondy from the year 1962), can be read and interpreted also as ‘revenge’ for the devaluation of physicality and sexuality. Nevertheless, the subversive excesses in her ‘poetry of the obscene’ constitute another, latent plane, on which obscenity appears as an ambivalent phenomenon: as an excess and the tearing down of all boundaries it refers to its ‘opponents’: order, the setting of boundaries, and melancholyhttps://sites.ff.cuni.cz/wordandsense/wp-content/uploads/sites/18/2017/11/Josef_Vojvodik_25-31.pdfJana Krejcarová(-Černá)ObszönitätMelancholiesexuelle VerstoßungTabusozialistischer Realismusobscenitymelancholysexual exclusiontaboosocialist realism |
| collection |
DOAJ |
| language |
ces |
| format |
Article |
| sources |
DOAJ |
| author |
Josef Vojvodík |
| spellingShingle |
Josef Vojvodík „…s použitím všech sprostých a obskurních slov“: Jana Krejcarovás Poetik des Obszönen zwischen Revolte und Melancholie // ‘…with the use of all vulgar and obscure words’: Jana Krejcarová’s Poetry of the Obscene Between Revolt and Melancholy Slovo a Smysl Jana Krejcarová(-Černá) Obszönität Melancholie sexuelle Verstoßung Tabu sozialistischer Realismus obscenity melancholy sexual exclusion taboo socialist realism |
| author_facet |
Josef Vojvodík |
| author_sort |
Josef Vojvodík |
| title |
„…s použitím všech sprostých a obskurních slov“: Jana Krejcarovás Poetik des Obszönen zwischen Revolte und Melancholie // ‘…with the use of all vulgar and obscure words’: Jana Krejcarová’s Poetry of the Obscene Between Revolt and Melancholy |
| title_short |
„…s použitím všech sprostých a obskurních slov“: Jana Krejcarovás Poetik des Obszönen zwischen Revolte und Melancholie // ‘…with the use of all vulgar and obscure words’: Jana Krejcarová’s Poetry of the Obscene Between Revolt and Melancholy |
| title_full |
„…s použitím všech sprostých a obskurních slov“: Jana Krejcarovás Poetik des Obszönen zwischen Revolte und Melancholie // ‘…with the use of all vulgar and obscure words’: Jana Krejcarová’s Poetry of the Obscene Between Revolt and Melancholy |
| title_fullStr |
„…s použitím všech sprostých a obskurních slov“: Jana Krejcarovás Poetik des Obszönen zwischen Revolte und Melancholie // ‘…with the use of all vulgar and obscure words’: Jana Krejcarová’s Poetry of the Obscene Between Revolt and Melancholy |
| title_full_unstemmed |
„…s použitím všech sprostých a obskurních slov“: Jana Krejcarovás Poetik des Obszönen zwischen Revolte und Melancholie // ‘…with the use of all vulgar and obscure words’: Jana Krejcarová’s Poetry of the Obscene Between Revolt and Melancholy |
| title_sort |
„…s použitím všech sprostých a obskurních slov“: jana krejcarovás poetik des obszönen zwischen revolte und melancholie // ‘…with the use of all vulgar and obscure words’: jana krejcarová’s poetry of the obscene between revolt and melancholy |
| publisher |
Univerzita Karlova, Filozofická fakulta |
| series |
Slovo a Smysl |
| issn |
1214-7915 2336-6680 |
| publishDate |
2017-11-01 |
| description |
Against the backdrop of the outright phobic tabooisation and removal of eroticism and sexuality
from the arts and from all areas of public life in the ‘socialist society’ following February 1948, the
erotic texts of Jana Krejcarová represent a ‘total’ provocation and subversion of the sexless socialistic
realism and its petty prudishness. The extreme obscenity of Jana Krejcarová’s erotic texts, which
also contain elements of parody and irony, coupled with the high degree of aggressivity and fierceness
(especially the ‘Letter’ addressed to Egon Bondy from the year 1962), can be read and interpreted
also as ‘revenge’ for the devaluation of physicality and sexuality. Nevertheless, the subversive excesses
in her ‘poetry of the obscene’ constitute another, latent plane, on which obscenity appears as
an ambivalent phenomenon: as an excess and the tearing down of all boundaries it refers to its ‘opponents’:
order, the setting of boundaries, and melancholy |
| topic |
Jana Krejcarová(-Černá) Obszönität Melancholie sexuelle Verstoßung Tabu sozialistischer Realismus obscenity melancholy sexual exclusion taboo socialist realism |
| url |
https://sites.ff.cuni.cz/wordandsense/wp-content/uploads/sites/18/2017/11/Josef_Vojvodik_25-31.pdf |
| work_keys_str_mv |
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| _version_ |
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