Uvertura de concert op. 32 de George Enescu, de la „caracterul popular românesc” la sinteza limbajului muzical enescian

A work of late maturity in Enescu’s creation, the Concert overture op. 32 is still the subject of lively discussion and heated controversy. Next to last in the order of the opus number established by the composer, the Overture reiterates, for the last time in Enescu’s creation, the composer’s intere...

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Bibliographic Details
Main Author: Constantin Secară
Format: Article
Language:deu
Published: Publishing House of the Romanian Academy 2010-12-01
Series:Studii si Cercetari de Istoria Artei : Teatru, Muzică, Cinematografie
Subjects:
Online Access:http://www.istoria-artei.ro/resources/files/04SCIA.TMC-2010_CONSTANTIN%20SECAR.pdf

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