Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll

Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll

My essay presents the emerging of fake as a concept that does not mean false, but a post-dualistic mix of false/truth. The relation between digital culture and ubiquitous subjectivity is fundamental during its process; in the same way, the relation between aura and reproducibility cannot be determin...

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Bibliographic Details
Main Author: Massimo Canevacci
Format: Article
Language:English
Published: Universidade Federal de Goiás 2012-12-01
Series:Visualidades
Subjects:
Ubiquity
transurbanism
self-representation
Online Access:https://revistas.ufg.emnuvens.com.br/VISUAL/article/view/26548
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spelling doaj-5393e13dcc4c4d5f844edc34b5ee31da2020-11-25T01:18:44ZengUniversidade Federal de GoiásVisualidades1679-67482317-67842012-12-01102133910.5216/vis.v10i2.26548Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll Massimo Canevacci0IEA-USP, BrasilMy essay presents the emerging of fake as a concept that does not mean false, but a post-dualistic mix of false/truth. The relation between digital culture and ubiquitous subjectivity is fundamental during its process; in the same way, the relation between aura and reproducibility cannot be determined dialectically as Benjamin did. Digital auratic reproducibility is the contemporary context and communicational metropolis is characterized by spontaneous and public performance: so, my conclusion is an analysis of some “living” doll and their uncanny presence.https://revistas.ufg.emnuvens.com.br/VISUAL/article/view/26548Ubiquitytransurbanismself-representation
collection DOAJ
language English
format Article
sources DOAJ
author Massimo Canevacci
spellingShingle Massimo Canevacci
Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll
Visualidades
Ubiquity
transurbanism
self-representation
author_facet Massimo Canevacci
author_sort Massimo Canevacci
title Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll
title_short Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll
title_full Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll
title_fullStr Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll
title_full_unstemmed Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll
title_sort ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll
publisher Universidade Federal de Goiás
series Visualidades
issn 1679-6748
2317-6784
publishDate 2012-12-01
description My essay presents the emerging of fake as a concept that does not mean false, but a post-dualistic mix of false/truth. The relation between digital culture and ubiquitous subjectivity is fundamental during its process; in the same way, the relation between aura and reproducibility cannot be determined dialectically as Benjamin did. Digital auratic reproducibility is the contemporary context and communicational metropolis is characterized by spontaneous and public performance: so, my conclusion is an analysis of some “living” doll and their uncanny presence.
topic Ubiquity
transurbanism
self-representation
url https://revistas.ufg.emnuvens.com.br/VISUAL/article/view/26548
work_keys_str_mv AT massimocanevacci ethographicubiquityoriginalfakeexpandedcodextransurbansubjectperformativedoll
_version_ 1725140808360787968

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