Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-Afrika

In this article, the meaning of a combination of the adjective �reformed� and the noun �music� is explored. The main question is: What can be termed �reformed music�? In order to answer this question, some of the work on liturgy by the theologians Smit, Old and McKee will be explored, specifically t...

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Bibliographic Details
Main Author: Cas J. Wepener
Format: Article
Language:Afrikaans
Published: AOSIS 2012-02-01
Series:Verbum et Ecclesia
Subjects:
Online Access:http://verbumetecclesia.org.za/index.php/VE/article/view/709
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spelling doaj-5356342be4b84c6497a7ed762e9f1c052020-11-24T21:05:15ZafrAOSISVerbum et Ecclesia 1609-99822074-77052012-02-0133110.4102/ve.v33i1.709626Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-AfrikaCas J. Wepener0University of PretoriaIn this article, the meaning of a combination of the adjective �reformed� and the noun �music� is explored. The main question is: What can be termed �reformed music�? In order to answer this question, some of the work on liturgy by the theologians Smit, Old and McKee will be explored, specifically their understanding of �reformed liturgy�. Throughout, the article takes the form of a historical reflexive autoethnographic journey into the life and experiences of the author of this article in the period roughly stretching from 1986 to 1996. In particular, it focuses on the way in which the author appropriated two different kinds of music genres. His exposure to both reformed church music and the alternative Afrikaans music movement, which included rock bands such as <em>Johannes Kerkorrel en die Gereformeerde Blues Band</em> will be scrutinised. Ultimately, the aim of this journey is to establish which one of these two music genres from this specific period in the history of South Africa is worthy of the name �reformed music�.http://verbumetecclesia.org.za/index.php/VE/article/view/709Alternatiewe Afrikaanse MusiekAuto-ethnographyChurch MusicLiturgyReformedWorship
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Cas J. Wepener
spellingShingle Cas J. Wepener
Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-Afrika
Verbum et Ecclesia
Alternatiewe Afrikaanse Musiek
Auto-ethnography
Church Music
Liturgy
Reformed
Worship
author_facet Cas J. Wepener
author_sort Cas J. Wepener
title Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-Afrika
title_short Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-Afrika
title_full Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-Afrika
title_fullStr Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-Afrika
title_full_unstemmed Wat maak �n kerkorrel gereformeerd? �n Verkenning van Afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in Suid-Afrika
title_sort wat maak �n kerkorrel gereformeerd? �n verkenning van afrikaanse �gereformeerde� musiek in die jare 1980 en 1990 in suid-afrika
publisher AOSIS
series Verbum et Ecclesia
issn 1609-9982
2074-7705
publishDate 2012-02-01
description In this article, the meaning of a combination of the adjective �reformed� and the noun �music� is explored. The main question is: What can be termed �reformed music�? In order to answer this question, some of the work on liturgy by the theologians Smit, Old and McKee will be explored, specifically their understanding of �reformed liturgy�. Throughout, the article takes the form of a historical reflexive autoethnographic journey into the life and experiences of the author of this article in the period roughly stretching from 1986 to 1996. In particular, it focuses on the way in which the author appropriated two different kinds of music genres. His exposure to both reformed church music and the alternative Afrikaans music movement, which included rock bands such as <em>Johannes Kerkorrel en die Gereformeerde Blues Band</em> will be scrutinised. Ultimately, the aim of this journey is to establish which one of these two music genres from this specific period in the history of South Africa is worthy of the name �reformed music�.
topic Alternatiewe Afrikaanse Musiek
Auto-ethnography
Church Music
Liturgy
Reformed
Worship
url http://verbumetecclesia.org.za/index.php/VE/article/view/709
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