Les bruits de Madrid. Comment le cinéma écoute la ville

This study focuses on the construction of urban soundscape in six Spanish films which action takes place in Madrid : Surcos (1951) of Antonio Nieves Conde, Los Golfos (1959) of Carlos Saura, ¿Qué he hecho yo para merecer esto! (1984) of Pedro Almodóvar, Madrid (1987) of Basilio Martín Patino, El día...

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Main Author: Jean-Paul Aubert
Format: Article
Language:English
Published: Centre de Recherches Ibériques et Ibéro-Américaines 2015-01-01
Series:Cahiers de Civilisation Espagnole Contemporaine
Subjects:
Online Access:http://journals.openedition.org/ccec/5249
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spelling doaj-5330090dc2ff45358eb598eb3ea8bbe82020-11-24T21:43:39ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612015-01-011310.4000/ccec.5249Les bruits de Madrid. Comment le cinéma écoute la villeJean-Paul AubertThis study focuses on the construction of urban soundscape in six Spanish films which action takes place in Madrid : Surcos (1951) of Antonio Nieves Conde, Los Golfos (1959) of Carlos Saura, ¿Qué he hecho yo para merecer esto! (1984) of Pedro Almodóvar, Madrid (1987) of Basilio Martín Patino, El día de la bestia (1995) of Alex de la Iglesia and Barrio (1998) of Fernando León de Aranoa. This paper tries to explore not only the connotative and referential substance of urban sounds, but also its narrative and symbolic functions.http://journals.openedition.org/ccec/5249cinemasoundnoisecity
collection DOAJ
language English
format Article
sources DOAJ
author Jean-Paul Aubert
spellingShingle Jean-Paul Aubert
Les bruits de Madrid. Comment le cinéma écoute la ville
Cahiers de Civilisation Espagnole Contemporaine
cinema
sound
noise
city
author_facet Jean-Paul Aubert
author_sort Jean-Paul Aubert
title Les bruits de Madrid. Comment le cinéma écoute la ville
title_short Les bruits de Madrid. Comment le cinéma écoute la ville
title_full Les bruits de Madrid. Comment le cinéma écoute la ville
title_fullStr Les bruits de Madrid. Comment le cinéma écoute la ville
title_full_unstemmed Les bruits de Madrid. Comment le cinéma écoute la ville
title_sort les bruits de madrid. comment le cinéma écoute la ville
publisher Centre de Recherches Ibériques et Ibéro-Américaines
series Cahiers de Civilisation Espagnole Contemporaine
issn 1957-7761
publishDate 2015-01-01
description This study focuses on the construction of urban soundscape in six Spanish films which action takes place in Madrid : Surcos (1951) of Antonio Nieves Conde, Los Golfos (1959) of Carlos Saura, ¿Qué he hecho yo para merecer esto! (1984) of Pedro Almodóvar, Madrid (1987) of Basilio Martín Patino, El día de la bestia (1995) of Alex de la Iglesia and Barrio (1998) of Fernando León de Aranoa. This paper tries to explore not only the connotative and referential substance of urban sounds, but also its narrative and symbolic functions.
topic cinema
sound
noise
city
url http://journals.openedition.org/ccec/5249
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