A body that hangs, a body that flows: multiple corporate in art-experiences
The aim of this article is to present critical reflections on the relations between the Body and your agencies with the world (understood as corporeity), maintaining with the artistic experiments a strategic bias of critical territoriality as a "line of escape" - according to Deleuze. Theo...
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doaj-52da4a088af441a3a5aad61582bf40c32021-07-01T16:00:59ZengUniversidade Federal do Rio Grande do SulRevista Gearte2357-98542017-04-014110.22456/2357-9854.7090633111A body that hangs, a body that flows: multiple corporate in art-experiencesRosália Menezes0Jo A-mi1Universidade da Integração Internacional da Lusofonia Afro-Brasileira – UNILAB, Redenção/CEUniversidade da Integração Internacional da Lusofonia Afro-Brasileira –– UNILAB, Redenção/CEThe aim of this article is to present critical reflections on the relations between the Body and your agencies with the world (understood as corporeity), maintaining with the artistic experiments a strategic bias of critical territoriality as a "line of escape" - according to Deleuze. Theoretically, it was made a course began with the perspectives of the body in classical Western philosophy, interspersed by sociological (in the discussion of the civilizing process and the body as a collectivity) and historical studies (from the body contextualized in its relation to the world and with the arts). Thus, the art-experience with the body, demonstrated here, sought to be constituted as corporeities whose crossing was reconstructing concepts, perceptions and actions on the body scene-in-itself: object and act of artistic-pedagogical experiences.https://seer.ufrgs.br/gearte/article/view/70906corpo. corporeidade. arte-vivência. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Rosália Menezes Jo A-mi |
spellingShingle |
Rosália Menezes Jo A-mi A body that hangs, a body that flows: multiple corporate in art-experiences Revista Gearte corpo. corporeidade. arte-vivência. |
author_facet |
Rosália Menezes Jo A-mi |
author_sort |
Rosália Menezes |
title |
A body that hangs, a body that flows: multiple corporate in art-experiences |
title_short |
A body that hangs, a body that flows: multiple corporate in art-experiences |
title_full |
A body that hangs, a body that flows: multiple corporate in art-experiences |
title_fullStr |
A body that hangs, a body that flows: multiple corporate in art-experiences |
title_full_unstemmed |
A body that hangs, a body that flows: multiple corporate in art-experiences |
title_sort |
body that hangs, a body that flows: multiple corporate in art-experiences |
publisher |
Universidade Federal do Rio Grande do Sul |
series |
Revista Gearte |
issn |
2357-9854 |
publishDate |
2017-04-01 |
description |
The aim of this article is to present critical reflections on the relations between the Body and your agencies with the world (understood as corporeity), maintaining with the artistic experiments a strategic bias of critical territoriality as a "line of escape" - according to Deleuze. Theoretically, it was made a course began with the perspectives of the body in classical Western philosophy, interspersed by sociological (in the discussion of the civilizing process and the body as a collectivity) and historical studies (from the body contextualized in its relation to the world and with the arts). Thus, the art-experience with the body, demonstrated here, sought to be constituted as corporeities whose crossing was reconstructing concepts, perceptions and actions on the body scene-in-itself: object and act of artistic-pedagogical experiences. |
topic |
corpo. corporeidade. arte-vivência. |
url |
https://seer.ufrgs.br/gearte/article/view/70906 |
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