Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama

Graphic artist Alison Bechdel has enjoyed widespread success since the publication of her first long form autobiographical comic Fun Home: A Family Tragicomic (2006). Already, there is a substantial body of criticism on Bechdel that addresses her cerebral writing style, her personal archive, and her...

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Main Author: Genie Nicole Giaimo
Format: Article
Language:English
Published: University of Groningen Press 2013-07-01
Series:European Journal of Life Writing
Subjects:
Online Access:https://ejlw.eu/article/view/31397
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spelling doaj-52c7684295994d2695a06aea76a33eb72020-11-25T03:25:44ZengUniversity of Groningen PressEuropean Journal of Life Writing2211-243X2013-07-012355810.5463/ejlw.2.5731397Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic DramaGenie Nicole Giaimo0Northeastern UniversityGraphic artist Alison Bechdel has enjoyed widespread success since the publication of her first long form autobiographical comic Fun Home: A Family Tragicomic (2006). Already, there is a substantial body of criticism on Bechdel that addresses her cerebral writing style, her personal archive, and her contributions to the graphic narrative form. Lauded for her realistic reproduction of ephemera such as letters, maps, photographs, and marginalia, critics have overlooked moments in which these documents—and her readings of events in her family—fail to produce meaning. In her second graphic narrative, Are You My Mother? A Comic Drama (2012), Bechdel relies upon modernist texts and psychoanalysis in order to represent her complicated relationship with her mother, Helen. Yet, as in Fun Home when the archive fails to explain the circumstances that culminated in her father’s death, psychoanalysis in Are You My Mother? impedes Alison in her quest to understand how her relationship with her mother has affected her adult life:in particular, her craft and her romantic relationships. This paper argues that Bechdel’s reliance on psychoanalysis to shape her narrative overshadows a stronger and more telling presence of precepts commonly associated with cognitive science and neuroscience. In the narrative, Alison articulates a number of cognitive theories, such as pattern making and theory of mind, as well as neurological concepts such as memory consolidation and reconsolidation that better account for the events of the text — and the impulse to tell life narrative — than psychoanalysis. Part of a growing number of texts that are preoccupied with how the mind/brain give rise to autobiographical identity and narrative form, Are You My Mother? challenges the referential certainty of the life narrative genre in conceptually novel and aesthetically complex ways.https://ejlw.eu/article/view/31397contemporary american life writingcognitive theorycomicsneuroscienceidentitymemory
collection DOAJ
language English
format Article
sources DOAJ
author Genie Nicole Giaimo
spellingShingle Genie Nicole Giaimo
Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama
European Journal of Life Writing
contemporary american life writing
cognitive theory
comics
neuroscience
identity
memory
author_facet Genie Nicole Giaimo
author_sort Genie Nicole Giaimo
title Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama
title_short Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama
title_full Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama
title_fullStr Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama
title_full_unstemmed Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama
title_sort psychological diffusions: the cognitive turn in alison bechdel’s are you my mother? a comic drama
publisher University of Groningen Press
series European Journal of Life Writing
issn 2211-243X
publishDate 2013-07-01
description Graphic artist Alison Bechdel has enjoyed widespread success since the publication of her first long form autobiographical comic Fun Home: A Family Tragicomic (2006). Already, there is a substantial body of criticism on Bechdel that addresses her cerebral writing style, her personal archive, and her contributions to the graphic narrative form. Lauded for her realistic reproduction of ephemera such as letters, maps, photographs, and marginalia, critics have overlooked moments in which these documents—and her readings of events in her family—fail to produce meaning. In her second graphic narrative, Are You My Mother? A Comic Drama (2012), Bechdel relies upon modernist texts and psychoanalysis in order to represent her complicated relationship with her mother, Helen. Yet, as in Fun Home when the archive fails to explain the circumstances that culminated in her father’s death, psychoanalysis in Are You My Mother? impedes Alison in her quest to understand how her relationship with her mother has affected her adult life:in particular, her craft and her romantic relationships. This paper argues that Bechdel’s reliance on psychoanalysis to shape her narrative overshadows a stronger and more telling presence of precepts commonly associated with cognitive science and neuroscience. In the narrative, Alison articulates a number of cognitive theories, such as pattern making and theory of mind, as well as neurological concepts such as memory consolidation and reconsolidation that better account for the events of the text — and the impulse to tell life narrative — than psychoanalysis. Part of a growing number of texts that are preoccupied with how the mind/brain give rise to autobiographical identity and narrative form, Are You My Mother? challenges the referential certainty of the life narrative genre in conceptually novel and aesthetically complex ways.
topic contemporary american life writing
cognitive theory
comics
neuroscience
identity
memory
url https://ejlw.eu/article/view/31397
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