«Una necessità strettamente professionale». Gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerra
The yearbooks and almanacs printed between the beginning of the Second World War andthe end of the Fifties collect rare and hardly accessible data on the Italian film industry andthe professionals involved in it. As such, they are both sources, whose use can be extremelyprofitable in production stu...
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doaj-52890e9548134a0187ad7ff2a4ad76d42020-11-25T02:20:04ZitaUniversità degli Studi di MilanoSchermi2532-24862019-09-013510.13130/2532-2486/11475«Una necessità strettamente professionale». Gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerraPaolo Noto0Università di Bologna The yearbooks and almanacs printed between the beginning of the Second World War andthe end of the Fifties collect rare and hardly accessible data on the Italian film industry andthe professionals involved in it. As such, they are both sources, whose use can be extremelyprofitable in production studies, and objects of investigation that might reveal the rhetoric and the discursive strategies through which different social actors have promoted an image of that production system as a fully-fledged and rationally organized industry. The article describes these yearbooks and interprets such discourses, in order to better understand the tensions that characterize this phase of important changes for the Italian film production. https://riviste.unimi.it/index.php/schermi/article/view/11475Italian film historyyearbooksAnnuario del cinema italianoAlessandro Ferraùproduction studies |
collection |
DOAJ |
language |
Italian |
format |
Article |
sources |
DOAJ |
author |
Paolo Noto |
spellingShingle |
Paolo Noto «Una necessità strettamente professionale». Gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerra Schermi Italian film history yearbooks Annuario del cinema italiano Alessandro Ferraù production studies |
author_facet |
Paolo Noto |
author_sort |
Paolo Noto |
title |
«Una necessità strettamente professionale». Gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerra |
title_short |
«Una necessità strettamente professionale». Gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerra |
title_full |
«Una necessità strettamente professionale». Gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerra |
title_fullStr |
«Una necessità strettamente professionale». Gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerra |
title_full_unstemmed |
«Una necessità strettamente professionale». Gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerra |
title_sort |
«una necessità strettamente professionale». gli annuari come oggetto e fonte per lo studio del cinema italiano del dopoguerra |
publisher |
Università degli Studi di Milano |
series |
Schermi |
issn |
2532-2486 |
publishDate |
2019-09-01 |
description |
The yearbooks and almanacs printed between the beginning of the Second World War andthe end of the Fifties collect rare and hardly accessible data on the Italian film industry andthe professionals involved in it. As such, they are both sources, whose use can be extremelyprofitable in production studies, and objects of investigation that might reveal the rhetoric and the discursive strategies through which different social actors have promoted an image of that production system as a fully-fledged and rationally organized industry. The article describes these yearbooks and interprets such discourses, in order to better understand the tensions that characterize this phase of important changes for the Italian film production.
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topic |
Italian film history yearbooks Annuario del cinema italiano Alessandro Ferraù production studies |
url |
https://riviste.unimi.it/index.php/schermi/article/view/11475 |
work_keys_str_mv |
AT paolonoto unanecessitastrettamenteprofessionalegliannuaricomeoggettoefonteperlostudiodelcinemaitalianodeldopoguerra |
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1724873752162861056 |