A Cinema’s Female Worker in a Musical Key: Ana Satrova
Despite the remote origin of women in music, today the presence of names of women dedicated to musical composition remains limited in historiography. Also references to fi lm music composers are even more unusual, although cinema is probably the most important art in the 20th Century. According to t...
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| Format: | Article |
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Consejo Superior de Investigaciones Científicas
2016-12-01
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| Series: | Anuario Musical |
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| Online Access: | http://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/204 |
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Article |
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doaj-51a583b07a3b437785797a481a99a3032021-05-05T07:02:47ZcatConsejo Superior de Investigaciones CientíficasAnuario Musical0211-35381988-41252016-12-017123325010.3989/anuariomusical.2016.71.14202A Cinema’s Female Worker in a Musical Key: Ana SatrovaVirginia Sánchez RodríguezDespite the remote origin of women in music, today the presence of names of women dedicated to musical composition remains limited in historiography. Also references to fi lm music composers are even more unusual, although cinema is probably the most important art in the 20th Century. According to these circumstances, in this paper we propose an approach to Ana Satrova, a composer of original soundtracks who worked in the Spanish film area between 1969 and 1985. In this occasion, we offer a stylistic and visual studio about his first work in the Spanish cinema of Franco’s regime: Homicidios en Chicago (1969, José María Zabalza)http://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/204film musicoriginal soundtrackincidental musicwomenfranco’s regimeana satrovajosé maría zabalza |
| collection |
DOAJ |
| language |
Catalan |
| format |
Article |
| sources |
DOAJ |
| author |
Virginia Sánchez Rodríguez |
| spellingShingle |
Virginia Sánchez Rodríguez A Cinema’s Female Worker in a Musical Key: Ana Satrova Anuario Musical film music original soundtrack incidental music women franco’s regime ana satrova josé maría zabalza |
| author_facet |
Virginia Sánchez Rodríguez |
| author_sort |
Virginia Sánchez Rodríguez |
| title |
A Cinema’s Female Worker in a Musical Key: Ana Satrova |
| title_short |
A Cinema’s Female Worker in a Musical Key: Ana Satrova |
| title_full |
A Cinema’s Female Worker in a Musical Key: Ana Satrova |
| title_fullStr |
A Cinema’s Female Worker in a Musical Key: Ana Satrova |
| title_full_unstemmed |
A Cinema’s Female Worker in a Musical Key: Ana Satrova |
| title_sort |
cinema’s female worker in a musical key: ana satrova |
| publisher |
Consejo Superior de Investigaciones Científicas |
| series |
Anuario Musical |
| issn |
0211-3538 1988-4125 |
| publishDate |
2016-12-01 |
| description |
Despite the remote origin of women in music, today the presence of names of women dedicated to musical composition remains limited in historiography. Also references to fi lm music composers are even more unusual, although cinema is probably the most important art in the 20th Century. According to these circumstances, in this paper we propose an approach to Ana Satrova, a composer of original soundtracks who worked in the Spanish film area between 1969 and 1985. In this occasion, we offer a stylistic and visual studio about his first work in the Spanish cinema of Franco’s regime: Homicidios en Chicago (1969, José María Zabalza) |
| topic |
film music original soundtrack incidental music women franco’s regime ana satrova josé maría zabalza |
| url |
http://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/204 |
| work_keys_str_mv |
AT virginiasanchezrodriguez acinemasfemaleworkerinamusicalkeyanasatrova AT virginiasanchezrodriguez cinemasfemaleworkerinamusicalkeyanasatrova |
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1721473166427029504 |