Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli
In the 80s of the last century the Italian photography, like other art forms, reflected the political, economic and cultural changes of the Nation. It was the time of a new documentary photography that investigated the transformation of the urban areas. Within this process the landscape was the subj...
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doaj-5127f6b66d764c89be07985ba19e7d5f2020-11-24T20:53:02ZengUniversity of L'AquilaDisegnare con1828-59612014-05-017131810.6092/issn.1828-5961/41413954Landscape concept in photography: from Luigi Ghirri to Antonio OttomanelliTeodora Malavenda0Università Mediterranea di Reggio CalabriaIn the 80s of the last century the Italian photography, like other art forms, reflected the political, economic and cultural changes of the Nation. It was the time of a new documentary photography that investigated the transformation of the urban areas. Within this process the landscape was the subject of a new interpretation. In 2013 this process of documentation was worked out again, but in a modern way, by Antonio Ottomanelli. In his project "Collateral Landscape", he took pictures in different cities of the world such as Kabul, Baghdad, Sadr City, Herat, Dokan, New York, Gaza City. Distant places and only apparently different from each other. In fact, all of them have been destroyed by war or, in the case of New York, have been target of a terrorist attack.http://disegnarecon.unibo.it/article/view/4141FotografiapaesaggioLuigi GhirriAntonio OttomanelliGazaIraqGabriele Basilico |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Teodora Malavenda |
spellingShingle |
Teodora Malavenda Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli Disegnare con Fotografia paesaggio Luigi Ghirri Antonio Ottomanelli Gaza Iraq Gabriele Basilico |
author_facet |
Teodora Malavenda |
author_sort |
Teodora Malavenda |
title |
Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli |
title_short |
Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli |
title_full |
Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli |
title_fullStr |
Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli |
title_full_unstemmed |
Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli |
title_sort |
landscape concept in photography: from luigi ghirri to antonio ottomanelli |
publisher |
University of L'Aquila |
series |
Disegnare con |
issn |
1828-5961 |
publishDate |
2014-05-01 |
description |
In the 80s of the last century the Italian photography, like other art forms, reflected the political, economic and cultural changes of the Nation. It was the time of a new documentary photography that investigated the transformation of the urban areas. Within this process the landscape was the subject of a new interpretation. In 2013 this process of documentation was worked out again, but in a modern way, by Antonio Ottomanelli. In his project "Collateral Landscape", he took pictures in different cities of the world such as Kabul, Baghdad, Sadr City, Herat, Dokan, New York, Gaza City. Distant places and only apparently different from each other. In fact, all of them have been destroyed by war or, in the case of New York, have been target of a terrorist attack. |
topic |
Fotografia paesaggio Luigi Ghirri Antonio Ottomanelli Gaza Iraq Gabriele Basilico |
url |
http://disegnarecon.unibo.it/article/view/4141 |
work_keys_str_mv |
AT teodoramalavenda landscapeconceptinphotographyfromluigighirritoantonioottomanelli |
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1716798287282962432 |