Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli

In the 80s of the last century the Italian photography, like other art forms, reflected the political, economic and cultural changes of the Nation. It was the time of a new documentary photography that investigated the transformation of the urban areas. Within this process the landscape was the subj...

Full description

Bibliographic Details
Main Author: Teodora Malavenda
Format: Article
Language:English
Published: University of L'Aquila 2014-05-01
Series:Disegnare con
Subjects:
Online Access:http://disegnarecon.unibo.it/article/view/4141
id doaj-5127f6b66d764c89be07985ba19e7d5f
record_format Article
spelling doaj-5127f6b66d764c89be07985ba19e7d5f2020-11-24T20:53:02ZengUniversity of L'AquilaDisegnare con1828-59612014-05-017131810.6092/issn.1828-5961/41413954Landscape concept in photography: from Luigi Ghirri to Antonio OttomanelliTeodora Malavenda0Università Mediterranea di Reggio CalabriaIn the 80s of the last century the Italian photography, like other art forms, reflected the political, economic and cultural changes of the Nation. It was the time of a new documentary photography that investigated the transformation of the urban areas. Within this process the landscape was the subject of a new interpretation. In 2013 this process of documentation was worked out again, but in a modern way, by Antonio Ottomanelli. In his project "Collateral Landscape", he took pictures in different cities of the world such as Kabul, Baghdad, Sadr City, Herat, Dokan, New York, Gaza City. Distant places and only apparently different from each other. In fact, all of them have been destroyed by war or, in the case of New York, have been target of a terrorist attack.http://disegnarecon.unibo.it/article/view/4141FotografiapaesaggioLuigi GhirriAntonio OttomanelliGazaIraqGabriele Basilico
collection DOAJ
language English
format Article
sources DOAJ
author Teodora Malavenda
spellingShingle Teodora Malavenda
Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli
Disegnare con
Fotografia
paesaggio
Luigi Ghirri
Antonio Ottomanelli
Gaza
Iraq
Gabriele Basilico
author_facet Teodora Malavenda
author_sort Teodora Malavenda
title Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli
title_short Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli
title_full Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli
title_fullStr Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli
title_full_unstemmed Landscape concept in photography: from Luigi Ghirri to Antonio Ottomanelli
title_sort landscape concept in photography: from luigi ghirri to antonio ottomanelli
publisher University of L'Aquila
series Disegnare con
issn 1828-5961
publishDate 2014-05-01
description In the 80s of the last century the Italian photography, like other art forms, reflected the political, economic and cultural changes of the Nation. It was the time of a new documentary photography that investigated the transformation of the urban areas. Within this process the landscape was the subject of a new interpretation. In 2013 this process of documentation was worked out again, but in a modern way, by Antonio Ottomanelli. In his project "Collateral Landscape", he took pictures in different cities of the world such as Kabul, Baghdad, Sadr City, Herat, Dokan, New York, Gaza City. Distant places and only apparently different from each other. In fact, all of them have been destroyed by war or, in the case of New York, have been target of a terrorist attack.
topic Fotografia
paesaggio
Luigi Ghirri
Antonio Ottomanelli
Gaza
Iraq
Gabriele Basilico
url http://disegnarecon.unibo.it/article/view/4141
work_keys_str_mv AT teodoramalavenda landscapeconceptinphotographyfromluigighirritoantonioottomanelli
_version_ 1716798287282962432