Warden Oom, Regionalist: Authorial Ethos, Generic Functions

Recent scholarship in Dutch literature of the interwar years has revalued to an important degree the genre of regional or rural literature. Whereas existent research in this field mainly zooms in on the thematic motives and rhetorical structures of the regional text, this paper aims at combining a t...

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Main Author: Lambrecht Bram
Format: Article
Language:Afrikaans
Published: Sciendo 2016-06-01
Series:Werkwinkel: Journal of Low Countries and South African Studies
Subjects:
Online Access:https://doi.org/10.1515/werk-2016-0001
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spelling doaj-51249fad68754278bf9cf216081b48762021-09-05T20:51:37ZafrSciendoWerkwinkel: Journal of Low Countries and South African Studies1896-33072016-06-0111172810.1515/werk-2016-0001werk-2016-0001Warden Oom, Regionalist: Authorial Ethos, Generic FunctionsLambrecht Bram0University of Leuven, BelgiumRecent scholarship in Dutch literature of the interwar years has revalued to an important degree the genre of regional or rural literature. Whereas existent research in this field mainly zooms in on the thematic motives and rhetorical structures of the regional text, this paper aims at combining a textual and contextual approach. It hopes to do so by linking the functions of the regional genre to the construction of the regional author’s ethos or authority outside his oeuvre. One author here functions as a representative case in point: Warden Oom (Edward Vermeulen), a once successful but now forgotten Flemish folk writer and regionalist. This paper analyzes how Vermeulen, in autobiographical documents and interviews, embodies both an encyclopedic and an artistic authority. These two forms of extra-literary authority are a means to guarantee, so the argument goes, the efficacy of the informative and documentary as well as the esthetic functions of Vermeulen’s regional oeuvre. In this way, this paper not only pays attention to the rarely documented and therefore highly neglected voice of the regional author himself but it also grasps these autobiographical writings to situate the regional text in its broader context. Moreover, this article’s focus on the esthetic ambitions and functions of the regional author and his oeuvre may shed a new light on a genre which is usually considered to be heteronomous in the first place.https://doi.org/10.1515/werk-2016-0001ethosregional literatureflemish literatureinterbellumfunctions of literature
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Lambrecht Bram
spellingShingle Lambrecht Bram
Warden Oom, Regionalist: Authorial Ethos, Generic Functions
Werkwinkel: Journal of Low Countries and South African Studies
ethos
regional literature
flemish literature
interbellum
functions of literature
author_facet Lambrecht Bram
author_sort Lambrecht Bram
title Warden Oom, Regionalist: Authorial Ethos, Generic Functions
title_short Warden Oom, Regionalist: Authorial Ethos, Generic Functions
title_full Warden Oom, Regionalist: Authorial Ethos, Generic Functions
title_fullStr Warden Oom, Regionalist: Authorial Ethos, Generic Functions
title_full_unstemmed Warden Oom, Regionalist: Authorial Ethos, Generic Functions
title_sort warden oom, regionalist: authorial ethos, generic functions
publisher Sciendo
series Werkwinkel: Journal of Low Countries and South African Studies
issn 1896-3307
publishDate 2016-06-01
description Recent scholarship in Dutch literature of the interwar years has revalued to an important degree the genre of regional or rural literature. Whereas existent research in this field mainly zooms in on the thematic motives and rhetorical structures of the regional text, this paper aims at combining a textual and contextual approach. It hopes to do so by linking the functions of the regional genre to the construction of the regional author’s ethos or authority outside his oeuvre. One author here functions as a representative case in point: Warden Oom (Edward Vermeulen), a once successful but now forgotten Flemish folk writer and regionalist. This paper analyzes how Vermeulen, in autobiographical documents and interviews, embodies both an encyclopedic and an artistic authority. These two forms of extra-literary authority are a means to guarantee, so the argument goes, the efficacy of the informative and documentary as well as the esthetic functions of Vermeulen’s regional oeuvre. In this way, this paper not only pays attention to the rarely documented and therefore highly neglected voice of the regional author himself but it also grasps these autobiographical writings to situate the regional text in its broader context. Moreover, this article’s focus on the esthetic ambitions and functions of the regional author and his oeuvre may shed a new light on a genre which is usually considered to be heteronomous in the first place.
topic ethos
regional literature
flemish literature
interbellum
functions of literature
url https://doi.org/10.1515/werk-2016-0001
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