La verità visibile nella natura e nella scrittura. Sul baco da seta di Khamis bar Qardahe (fine del XIII secolo)
Khamis bar Qardaḥe was an East Syrian author active in the last decades of the 13th century, probably a representative member of the East-Syrian community at the court camp of the Il-Khans, and somehow connected with the town of Arbela. In the present article, his poetic work is presented in the bro...
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Università degli Studi di Torino
2011-12-01
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Online Access: | http://www.ojs.unito.it/index.php/kervan/article/view/1403 |
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doaj-50ed39e602a04981be1ee72c261d34e72020-11-25T02:53:13ZengUniversità degli Studi di TorinoKervan. International Journal of Afro-Asiatic Studies1825-263X2011-12-01013&1410.13135/1825-263X/14031004La verità visibile nella natura e nella scrittura. Sul baco da seta di Khamis bar Qardahe (fine del XIII secolo)Alessandra BarottoPaolo RiberiMonica VolpicelliAlessandro MengozziKhamis bar Qardaḥe was an East Syrian author active in the last decades of the 13th century, probably a representative member of the East-Syrian community at the court camp of the Il-Khans, and somehow connected with the town of Arbela. In the present article, his poetic work is presented in the broader context of the so-called ‘Syriac Renaissance’, as an example of late East-Syriac literature profoundly influenced by Persian poetry. The poem On the Silk-Worm is here critically edited and translated for the first time into a European language. Its complicated imagery turns out to be an interesting mélange of philosophical concepts, meta-literary reflection – poetry as a way to knowledge and salvation –, Christian themes – including the virginal conception of Mary –, and Persian, possibly Sufic, motifs. The monorhyme poem is rich with sound figures such as alliteration and etymological play.http://www.ojs.unito.it/index.php/kervan/article/view/1403Classical SyriacSufism |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Alessandra Barotto Paolo Riberi Monica Volpicelli Alessandro Mengozzi |
spellingShingle |
Alessandra Barotto Paolo Riberi Monica Volpicelli Alessandro Mengozzi La verità visibile nella natura e nella scrittura. Sul baco da seta di Khamis bar Qardahe (fine del XIII secolo) Kervan. International Journal of Afro-Asiatic Studies Classical Syriac Sufism |
author_facet |
Alessandra Barotto Paolo Riberi Monica Volpicelli Alessandro Mengozzi |
author_sort |
Alessandra Barotto |
title |
La verità visibile nella natura e nella scrittura. Sul baco da seta di Khamis bar Qardahe (fine del XIII secolo) |
title_short |
La verità visibile nella natura e nella scrittura. Sul baco da seta di Khamis bar Qardahe (fine del XIII secolo) |
title_full |
La verità visibile nella natura e nella scrittura. Sul baco da seta di Khamis bar Qardahe (fine del XIII secolo) |
title_fullStr |
La verità visibile nella natura e nella scrittura. Sul baco da seta di Khamis bar Qardahe (fine del XIII secolo) |
title_full_unstemmed |
La verità visibile nella natura e nella scrittura. Sul baco da seta di Khamis bar Qardahe (fine del XIII secolo) |
title_sort |
la verità visibile nella natura e nella scrittura. sul baco da seta di khamis bar qardahe (fine del xiii secolo) |
publisher |
Università degli Studi di Torino |
series |
Kervan. International Journal of Afro-Asiatic Studies |
issn |
1825-263X |
publishDate |
2011-12-01 |
description |
Khamis bar Qardaḥe was an East Syrian author active in the last decades of the 13th century, probably a representative member of the East-Syrian community at the court camp of the Il-Khans, and somehow connected with the town of Arbela. In the present article, his poetic work is presented in the broader context of the so-called ‘Syriac Renaissance’, as an example of late East-Syriac literature profoundly influenced by Persian poetry. The poem On the Silk-Worm is here critically edited and translated for the first time into a European language. Its complicated imagery turns out to be an interesting mélange of philosophical concepts, meta-literary reflection – poetry as a way to knowledge and salvation –, Christian themes – including the virginal conception of Mary –, and Persian, possibly Sufic, motifs. The monorhyme poem is rich with sound figures such as alliteration and etymological play. |
topic |
Classical Syriac Sufism |
url |
http://www.ojs.unito.it/index.php/kervan/article/view/1403 |
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