Crónicas del fin de la historia. En torno a Espectros de Manuel Vicent
A pathway from the eighties to the end of the past century is drawn through the short texts integrated in Manuel Vincent’s Espectros (2000). The following essay deals with a reading of these writings from the point of view of the overflowing condition that the notion of ‘aura’ acquires in them, so a...
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| Format: | Article |
| Language: | English |
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Universidad Nacional de La Plata
2008-11-01
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| Series: | Olivar: Revista de Literatura y Cultura Españolas |
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| Online Access: | http://www.olivar.fahce.unlp.edu.ar/article/view/3092 |
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doaj-50b2845e467a459fadc408254bf51ea72021-01-02T06:35:11ZengUniversidad Nacional de La PlataOlivar: Revista de Literatura y Cultura Españolas1515-11151852-44782008-11-019122928Crónicas del fin de la historia. En torno a Espectros de Manuel VicentJuan Antonio Ennis0Universidad Nacional de la Patagonia AustralA pathway from the eighties to the end of the past century is drawn through the short texts integrated in Manuel Vincent’s Espectros (2000). The following essay deals with a reading of these writings from the point of view of the overflowing condition that the notion of ‘aura’ acquires in them, so as in other works of this author. This expansión of the notion of aura, is directly bond to a way of narrating History that is articulated by the writer’s gaze –a kind of look that turns every perception into an aesthetic one–, and makes one more fragmentary episode –told from the plural standpoint of experience, memory and sensorial sensitivity– out ofthe story of its end, during the last decades of the 20th centuryhttp://www.olivar.fahce.unlp.edu.ar/article/view/3092AuraPosmodernidadArteHistoria/memoriaWalter Benjamin |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Juan Antonio Ennis |
| spellingShingle |
Juan Antonio Ennis Crónicas del fin de la historia. En torno a Espectros de Manuel Vicent Olivar: Revista de Literatura y Cultura Españolas Aura Posmodernidad Arte Historia/memoria Walter Benjamin |
| author_facet |
Juan Antonio Ennis |
| author_sort |
Juan Antonio Ennis |
| title |
Crónicas del fin de la historia. En torno a Espectros de Manuel Vicent |
| title_short |
Crónicas del fin de la historia. En torno a Espectros de Manuel Vicent |
| title_full |
Crónicas del fin de la historia. En torno a Espectros de Manuel Vicent |
| title_fullStr |
Crónicas del fin de la historia. En torno a Espectros de Manuel Vicent |
| title_full_unstemmed |
Crónicas del fin de la historia. En torno a Espectros de Manuel Vicent |
| title_sort |
crónicas del fin de la historia. en torno a espectros de manuel vicent |
| publisher |
Universidad Nacional de La Plata |
| series |
Olivar: Revista de Literatura y Cultura Españolas |
| issn |
1515-1115 1852-4478 |
| publishDate |
2008-11-01 |
| description |
A pathway from the eighties to the end of the past century is drawn through the short texts integrated in Manuel Vincent’s Espectros (2000). The following essay deals with a reading of these writings from the point of view of the overflowing condition that the notion of ‘aura’ acquires in them, so as in other works of this author. This expansión of the notion of aura, is directly bond to a way of narrating History that is articulated by the writer’s gaze –a kind of look that turns every perception into an aesthetic one–, and makes one more fragmentary episode –told from the plural standpoint of experience, memory and sensorial sensitivity– out ofthe story of its end, during the last decades of the 20th century |
| topic |
Aura Posmodernidad Arte Historia/memoria Walter Benjamin |
| url |
http://www.olivar.fahce.unlp.edu.ar/article/view/3092 |
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AT juanantonioennis cronicasdelfindelahistoriaentornoaespectrosdemanuelvicent |
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